Word: hitchcock
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Dates: during 2000-2009
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...past few years, one to give Frank Gehry ideas. A sparkling enigma, it simultaneously cuts a sharp figure and demurely withdraws behind a camouflaged surface. Behind its blunt façade, glass-walled wedges of garden emerge inside. Herzog likes to compare it all to Kim Novak in Hitchcock's Vertigo, with her cool surface and her plunging secrets...
...piece), and the director extracts pitch-perfect performances from his young leads, with a marvelously malicious turn from Jarratt, whose Mick Taylor is Grand Guignol with an Akubra hat. As for the charge of exploitation - well, directors have been turning true crime into artful entertainment ever since Alfred Hitchcock dredged up the story of Ed Gein from Psycho's swamp...
...people--infuses the best of the 14 films in this handsome DVD set: Shadow of a Doubt, Vertigo, Psycho, The Birds. (The package also includes nifty docs on the making of the last two films.) Viewers saw the director's impish side as host of the TV series Alfred Hitchcock Presents, the first season of which is now available in a separate set. That makes for a two-box festival of Hitch--some ephemeral, most of it seminal...
...year before his film debut, Chabrol co-wrote a book on Hitchcock's oeuvre (with fellow critic and budding director Eric Rohmer). Of all the new-wave auteurs, Chabrol was the one who took Hitchcock's fancy for cinematic dread most to heart, then gave it his own twist. In deadpan tragedies like Le Boucher, La Femme Infidèle and The Beast Must Die, passion leads to crimes of passion, and crime to self-lacerating punishment. These films are all the more potent because they speak their evils and ironies in a Gallic whisper...
...Russian-born Lewton produced, but did not direct, the 10 low-budget films in this long-overdue package. Yet, heading a B-movie unit in the '40s at RKO, he was as much an auteur as Hitchcock. His pictures had horror-movie titles--The Curse of the Cat People, The Body Snatcher, Isle of the Dead, I Walked with a Zombie--but they are really suspense films, achieving their thrills through indirection: a shiver of shadow, say, to quicken the heroine's anxiety. Lewton's monsters needed no special effects, for he created them purely in the imaginations...