Word: hitchcock
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Dates: during 2000-2009
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...Watchmen he brings a reverence for the text that equals Mel Gibson's in The Passion of the Christ and comes close to Gus Van Sant's shot-by-shot remake of the Hitchcock Psycho. He uses Gibbons' panels as virtual storyboards for his scenes, and quotes Moore's ripe dialogue verbatim. (From Rorschach's journal: "Beneath me, this awful city. It screams like an abattoir full of retarded children.... The dusk reeks of fornication and bad consciences...
...What else do we know about the Oscar tallies? Nothing. Did Greta Garbo or Cary Grant or Alfred Hitchcock, to pick three distinguished artists who never got competitive Oscars, ever come close to winning? If Kate Winslet takes Best Actress this year, did Meryl Streep lose by just a handful of votes, or was it a wipeout? The five previous times Winslet was a runner-up, or the past 10 times when Streep was nominated but not called to the stage, was either star even within shouting distance? Which races were runaways over Oscar's 80 years, and which were...
...Following close on Mo's heels are Capricorn and Dustfingers. What Dustfingers wants from Mo is to be read back into the book, where his wife (played by Bettany's wife Jennifer Connelly in a Hitchcock-sized cameo) is waiting for him. What Capricorn wants from Mo is wide-ranging, yet unclear, just like the rest of the movie. Capricorn has done well for himself in the nonfiction world, acquiring an Italian castle and an army of minions. But he'd also like some treasure, courtesy of Mo reading aloud from Arabian Nights, or maybe a supervillain pal to help...
...into crime-scene tunnels or taking a ride with someone quite likely to be the killer. For the genre director, a horror film is a game of geometry. It's all about the slow movement of the victim and the camera into a space of probable peril. In the Hitchcock school of tension-ratcheting, Lussier is an apt apprentice. (He also borrows a Hitchcock trick, from Stage Fright, of showing a misleading scene from the killer's demented point of view.) The movie is nothing above the ordinary, but that doesn't matter to the horror fanboys...
...John Michael Hayes, 89, batted out radio crime shows before becoming Alfred Hitchcock's go-to screenwriter in the mid-50s, penning Rear Window, To Catch a Thief, The Trouble With Harry and The Man Who Knew Too Much. An Oscar nomination for Peyton Place launched Hayes as the favored writer of elevated sleaze: Butterfield 8, The Carpetbaggers and the Carroll Baker Harlow...