Word: hitchcock
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Dates: during 2010-2019
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Something in Forsythe's uncomplicated manliness appealed to Alfred Hitchcock; maybe Hitch saw him as a domesticated Cary Grant, or Jimmy Stewart with better posture. He cast the young man as the lead in the grindingly whimsical 1955 comedy The Trouble With Harry. Playing a bohemian painter, when that occupation could seem a gentleman's calling, Forsythe is surrounded by a trio of Vermont eccentrics, all of whom believe they may have killed Harry. Forsythe, naturally, is the cave of common sense they retreat to for sage advice ("You're not supposed to bury bodies whenever you find them...
...favorite book as a teen was Truman Capote's In Cold Blood, which he thought was far scarier than any Hitchcock psychodrama because it had actually happened to a particular family in Holcomb, Kans. "Capote's horror," Hanks says, "has stuck with me." Capote called his work a nonfiction novel - informed by reporting but drawing on the techniques of fiction for its dramatic power. It's a fair description of Hanks' productions, in which historical events and figures are drawn together along fictionalized story arcs, and characters have the psychological interiority of characters in novels...
...Pearce scene was there from the beginning. That was actually always designed to be cast by a name. This is not a technique that we invented - Hitchcock is famous for it, in Psycho - but that was always the plan. You kill the famous person and it's very destabilizing. You think the movie is about the first person you see, and then they die, and 10 minutes in, you have the same sense of unpredictability that the other soldiers have. You identify with them, but you're not really sure who's the most valuable to the story, because...
...kind of the godfather of cinéma vérité,” in the words of Horovitz—and Errol Morris (“The Fog of War”), compared by critic Roger Ebert to Alfred Hitchcock and Federico Fellini. The high concentration of filmmakers in the area is due in part to the number of colleges and universities, many with strong film programs, located in the Boston area...
...turbulent island, and tightening the noose around his neck as he gets closer to an awful truth. Alexandre Desplat's violins saw away, in approved Bernard Herrmann fashion, as appliers and absorbers of dramatic shocks; and McGregor brings all his charm and intelligence to the vague figure of a Hitchcock hero who slips into circumstance and chicanery until he morphs into a Polanski victim. (See the 100 best movies of all time...