Search Details

Word: hitchcock (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...genius for drollery. Janet does in Howard first and with the aid of her poet-lover gets clean away. Howard, after spending weeks tucked in a trunk, literally ends up as a scare crow. As the title suggests, though, Burgess is not satisfied to play at being Hitchcock. What is the sound of one hand clapping? What is the shape of a mind without soul? ∙R.Z.S...

Author: /time Magazine | Title: Books: Clockwork Kumquat | 2/14/1972 | See Source »

Times must be hard for the enemies of capitalist decadence; Russia's Literaturnaya Gazeta has laid down a heavy ideological barrage against Film Director Alfred Hitchcock, accusing him of "antihumanistic attitude toward art" and "psychological sadism." But as so often happens, a Communist putdown is a bourgeois blurb. "Millions of his spectators," says the Gazeta, "take Hitchcock's sinister feelings seriously and sigh with relief when the dark in the movie house is dispelled and the lights come on again...

Author: /time Magazine | Title: People, Feb. 7, 1972 | 2/7/1972 | See Source »

...shotguns roared, a carbide cannon thundered, and a mobile loudspeaker shrilled the panicky distress cry of the starling. The point was to scare a flock of some 150,000 stubborn starlings out of town. It was a measure born of desperation-a sort of real-life reply to Alfred Hitchcock's The Birds...

Author: /time Magazine | Title: Environment: The Bird Plague | 2/7/1972 | See Source »

...seminar got better once the film had ended. The discussed the movie, comparing it to work of Hitchcock and debating good bad points in technical terms. I notice things I'd never seen before, such the reasons for the film's geographical the need for ending and beginning with the same scene, and why the Kubrick chose for the score differed so from his previous works. An hour after had officially ended, a third of the still there...

Author: By Mark C. Frazier, | Title: Inside the Orson Welles | 2/7/1972 | See Source »

...process is at its best in giving the illusion of depth to a composition. One recalls that several more serious films (Hitchcock's Dial M for Murder was one) were made in 3-D but released flat when studios discovered that the craze was dying down after audience complaints of headaches from imperfect projection. These days the process is used only for an occasional exploitation item like The Stewardesses. Too bad. Besides supplying some nostalgic shudders, House of Wax fleetingly suggests that in the right hands, 3-D could have been a good deal more than a stunt...

Author: /time Magazine | Title: Cinema: Time Machine | 1/31/1972 | See Source »

Previous | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 | 151 | 152 | 153 | 154 | 155 | 156 | 157 | Next