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...theory soon gathered support on both sides of the screen. Suddenly the films of Alfred Hitchcock or Orson Welles could be spoken of as works with strands of philosophy running through them, like the plays of Racine. Republic Pictures' westerns and Warner Brothers' gangster films from the '40s were reappraised as examples of directorial brilliance...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...blame for the total product. Given that need-and his new intellectual credentials-the director has become the focal point of film making. Henry Hathaway (True Grit), Howard Hawks (Red River) and John Ford (Cheyenne Autumn) have been reappraised as the prime movers of the west ern. Alfred Hitchcock has been called an eminent psychologist for his shrewd manipulation of audiences as well as actors. Some of the praise seems fulsome: Jerry Lewis has been compared favorably with Ingmar Bergman and Orson Welles. Still, general acceptance of the auteur theory has given American directors new power with major studios...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...Harvard Film Study--"Dial M for Murder" by Alfred Hitchcock, and "Has Anybody Seen My Gal?" by Douglas Sirk, Carpenter Center Lecture Hall. Admission...

Author: NO WRITER ATTRIBUTED | Title: The Calendar for the Summer | 6/30/1969 | See Source »

...Your story recalls an incident that occurred during my visit there eight years ago. Late one afternoon, I saw a poster announcing that the film to be shown that night was Psycho-Alfred Hitchcock's shockingly violent story of a maniacal killer. I envisioned the awful effects on Geel's paranoids and schizophrenics who dutifully attended the weekly shows...

Author: /time Magazine | Title: Letters: Mar. 28, 1969 | 3/28/1969 | See Source »

...freezes the image in the middle of an action or plays with enlarging the size of the frame, Truffaut makes technique serve the story and never overwhelm it. He enjoys staging little jokes (the tea-drinking scene with the owner's wife is an unabashed tribute to Hitchcock), but they remain always in context. Many of the characters in Stolen Kisses and much of the action may be embellished, but it is all based and modeled on Truffaut's life. His is, therefore, personal cinema of the best kind, memory shaped by humor and artistry into warm...

Author: /time Magazine | Title: New Movies: The Persistence of Memory | 3/21/1969 | See Source »

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