Word: hitchcock
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...Gist: Scholars tend to lionize directors who develop groundbreaking styles or who come to dominate and define a genre - men like Hitchcock, Welles, Hawks and Ford. But what of the filmmaker who didn't try to stick out so much as fit in; the man-for-hire who could saddle up to any studio assignment - even a work in progress - and mold it to perfection? In Victor Fleming: An American Movie Master, Baltimore Sun film critic Michael Sragow argues that Fleming - who directed The Wizard of Oz and Gone With the Wind - was such a man, denied his rightful place...
...Silence of the Grave, which won a British Crime Writers' Association Gold Dagger award in 2005. Arctic Chill explores the tensions caused by a recent influx of immigrants to Iceland. But Indridason tempers the sociology with a big dollop of old-fashioned suspense. He's a fan of Alfred Hitchcock, and takes pains to entice his readers with an intriguing first chapter. Hitchcock would probably have relished the first scene of Silence of the Grave: a baby at a birthday party quietly chewing on a bone that turns out to be a human rib unearthed by her brother...
...John Michael Hayes, 89, was a prolific screenwriter who worked with Alfred Hitchcock on films such as Rear Window and To Catch a Thief. After a dispute over payment and writing credit ended their partnership, Hayes went on to solo projects such as Peyton's Place...
...feel reverbs from other old movies, like Hitchcock's The Man Who Knew Too Much (whose climax of an assassination attempt in the Albert Hall gets an update here) and Jackie Chan's Police Story (jumping from a building to the top of a moving bus to another building across the street). The globe-hopping itineraries of our favorite secret agent and his targets - Italy, England, Austria, Haiti, Bolivia - will remind you of the geographic restlessness on display in Syriana, Body of Lies and other war-on-terror spy capers. And like hundreds of action-film thugs, the marksmen...
...stomp all over the delicate (and very British) nuances. It's as if they still believe that silly Neil Simon tag. Better to compare Ayckbourn--who, at 61, has written nearly 60 plays and directs them himself--to another artist whose work was misunderstood in his lifetime, Alfred Hitchcock. Both worked in popular genres that had few pretensions to art--the suspense thriller and the domestic comedy. Both were technical virtuosos who loved to set themselves challenges in their chosen medium. And both managed to entertain audiences while exploring the most profound questions of human relations and values. Most filmgoers...