Word: hitchcock
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Even as she showered her sons with the proceeds from her $10 million tobacco fortune, Margaret Hitchcock Benson lived in fear of them. There were constant fights and drugs and a nightmarish unhappiness that led her to believe that one or another of them was stealing her funds and wanted her dead...
Even so, Archer is a master entertainer, and on the trail he produces one of the best MacGuffins of recent popular fiction. (MacGuffin was Alfred Hitchcock's name for the object or secret that sets the plot churning.) The time is 1966, and Soviet Chairman Leonid Brezhnev, no less, is trying desperately to find a famous icon spirited away from the Winter Palace in the last days of the Czar. It passed through the hands of the Luftwaffe chief Hermann Goring, who gave it to Scott's father, his jailer after World War II. The late Scott Sr., in turn...
...director would probably like you to think that the State Building plays a role in this film similar to that played by Mount Rushmore in Hitchcock's North by Northwest or the Royal Albert Hall in The Man Who Knew Too Much. If not up to that highest caliber of architectural film settings, the glass dome does provide a nice backdrop for the flying bullets, which shatter the ubiquitous glass windows, the bodies, which fall down escalators and the adventurous heros, who scall the walls of the building with mountain-climbing gear galore...
Although Alfred Hitchcock Presents has settled for simply remaking old episodes from its earlier incarnation, it seems far fresher and more vital than The Twilight Zone. No supernatural morality plays here; just some deft storytelling and a refreshingly sardonic view of human nature. Hitchcock characters are greedy, vengeful and nasty (Martin Sheen, for instance, as a dissolute, over-the-hill actor who kills a young rival), and good people as well as bad are subject to the capriciousness of fate...
...famous Hitchcock twist endings sometimes fall flat in 1985. But when they ) work, they leave the viewer with a unique frisson: a grin accompanied by a sinking feeling in the stomach. In the best of the season's segments to date, Season Hubley played a convicted murderer who attempts a prison escape by hiding in a coffin about to be buried. Director Thomas Carter toyed masterfully with the audience's emotions, turning the protagonist from tearful victim to scheming bitch and back again in seconds. The half-hour story moved like a rifle shot (the inferior original was a full...