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...famous German spy known as "Der Nazi"; at Cinema 2: Arlene, with Bernadette Peters and Helen Hayes-zany alcoholic millionairess cavorts with foul-mouthed maid; at Cinema 3: Blow Dry ("Murder has a wave of its own")-hair stylist overhears plot to murder the memory of Alfred Hitchcock...

Author: /time Magazine | Title: Essay: Summer's End: Goodbye, Local Peaches | 9/14/1981 | See Source »

Catherine Hitchcock Prescott, Ariz...

Author: /time Magazine | Title: Air Controllers | 9/7/1981 | See Source »

...discipline and intellectual rigor that set in during the experimental '60s. At that time, many younger Jesuits were influenced as much by the radical politics of Antiwar Activist Father Daniel Berrigan as they were by the society's venerable manual, Spiritual Exercises. As Catholic Historian James Hitchcock of St. Louis University sees it, a "self-probing, inward-looking, almost narcissistic" mentality has crept into the order today. Liberals contend that they are only trying to do what Jesuits have always done: make the church and the teachings of Christ more relevant to the contemporary world...

Author: /time Magazine | Title: Religion: The Pope's Troubled Marines | 9/7/1981 | See Source »

...look like real people, warts and all, the makeup man went into a decline. A revival-the beginning of the Golden Age of Makeup-began with Planet of the Apes (1968), and The Exorcist (1973) and scores of films featuring a graphic spilling of blood and guts. In Alfred Hitchcock's Psycho, some 20 years ago, a knife was never seen touching the victim, played by Janet Leigh. "Now, they want it to cut right through," says Mike Westmore, who did Robert De Niro's makeup in Raging Bull. "Movies run in strings...

Author: /time Magazine | Title: Show Business: Wizards of Goo and Gadgetry | 8/31/1981 | See Source »

There are three Brian De Palmas-all the grinning, scheming sons of Alfred Hitchcock. With Sisters and Dressed to Kill, De Palma made his reputation as the Psycho student supreme, drawing curlicues of style and cheerfully obscene graffiti in the margins of that seminal horror-movie text. In Phantom of the Paradise and Home Movies, he displayed an impish, impudent sense of humor that recalls Hitchcock's macabre comedy The Trouble with Harry. But the most passionate Brian De Palma-and maybe the real one-is the child of Vertigo, Hitchcock's essay on the fatal power...

Author: /time Magazine | Title: Cinema: Bad Crash | 7/27/1981 | See Source »

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