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...machine-made movie. Hollywood, once called the dream factory, is now in the recycling business. George Lucas compresses old movie serials into Star Wars and Raiders of the Lost Ark. Brian De Palma and a dozen other directors pay homage to (read: steal shamelessly from) the films of Alfred Hitchcock. Albert R. Broccoli is the same but different: Since Dr. No, the producer's first James Bond movie, in 1962, he has remade his own picture eleven times. To evaluate For Your Eyes Only and the other Bond movies, it helps to think of them not as, say, different...

Author: /time Magazine | Title: Cinema: Perpetual Motion Machine | 6/29/1981 | See Source »

...film vocabulary to work with. They have been trained as comparison directors--and the sly references, the adapted framings, the taking of a certain technique just one yawing notch beyond what was done before, is what makes them much more than simple imitators. Throughout Raiders there are references to Hitchcock, to the old B-Movie serials, to the team's own previous movies. And yet, they never stop the flow. They simply flash and are registered, adding that much more for sheer cleverness, but never distracting. Instead, they give the feeling that you are in the hands of a master...

Author: By Thomas Hines, | Title: Careening Classic | 6/26/1981 | See Source »

Like another great craftsman, Alfred Hitchcock, Lucas prefers to present himself as a pure entertainer, perhaps fearing that references to more profound aspects of his work will put the public off. "Francis Coppola likes to think of film as art," he says. "I don't take it that seriously. Art is for someone to figure out 100 years from now." Spielberg agrees and disagrees. "We both see movies through youngsters' eyes," he says. "I don't make intellectual movies. George, however, is really an intellectual...

Author: /time Magazine | Title: Cinema: Slam! Bang! A Movie Movie | 6/15/1981 | See Source »

There will doubtless be dramatic acts and gestures ahead, but the grand lines of his reign have been set. That is a pleasing prospect to a conservative like Lay Historian James Hitchcock of St. Louis University. "We may be emerging from the spiritual and intellectual crisis that has afflicted the Western world," he believes. "There is a yearning for spirituality, and the Pope with his strong personality will have a great impact. I expect him to be a great Pope. And I expect him to be Pope for a long time...

Author: /time Magazine | Title: Hand of Terrorism | 5/25/1981 | See Source »

...Like Hitchcock, writer Tesich sees potential harm in the most innocent quirks. The background of New York City embellishes that sense of menace. Deever's preoccupation with Tony Sokolow throws him headlong into the midst of an international plot involving the murdered man, (ominously named "Mr. Long") and a group of wealthy Zionists. Unlike the innocent obsessions in Breaking Away, Deever's are misconstrued, then used as bait against him. The pace of the city brings about an urgency and neurosis which transforms even the simplest of actions, like playing with a dog, with an air of danger. Peter Yate...

Author: By Leigh A. Jackson, | Title: Scene of the Crime | 4/1/1981 | See Source »

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