Word: hitchcocked
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...movie shorthand: Fleury punches out a man who had slapped Faris. Then we hunker down to investigation scenes from some CSI: Riyadh: ditch-diggings, bullet analysis and an autopsy. Faris has his own method: he searches corpses not for fingerprints but for missing fingers. Is this a flashback to Hitchcock's The 39 Steps? No, it's evidence that the dead man was a bombmaker. One of The Kingdom's best scenes has Fleury and Faris quizzing a retired terrorist (the effortlessly intimidiating Uri Gavriel). The old man holds up a hand with two missing fingertips and says, "Every bombmaker...
...Hollywood's most respected stars. She broke out of B movies in Billy Wilder's The Lost Weekend and went on to vibrant performances in such films as 1948's Johnny Belinda (her portrayal of a deaf and mute rape victim won her an Oscar) and Alfred Hitchcock's Stage Fright. She broke her long silence on Reagan after his death, calling him a "great President and ... gentle man." Wyman...
...Angel; he tells one of his squad subjects, "The camera never lies." That's nonsense, the other soldier says, "The camera does nothing but lie." De Palma has been investigating the question of visual veracity for most of his 40-year career. Redacted takes him back, back, past the Hitchcock homages and the action epics, back to his earliest films: Greetings! and Hi, Mom!, two innovative satires on the Vietnam War. The first film has clips of Lyndon Johnson addressing the nation on TV, and a character obsessed with the Zapruder film of the Kennedy assassination. Hi, Mom! follows...
...dirty trick, every piece of furniture and plumbing at their disposal, while the camera is often perched just beneath the ceiling to keep from getting whacked as collateral damage. I'd be more specific in my description of this fight - which might have been made to prove Alfred Hitchcock's thesis that killing a man is damn hard work - but I was too excited to take notes. The battle is as long as it is ferocious, and in the audience I saw the movie with, nobody took a breath until it was over. Then they exhaled in a noise that...
...strange solitude in his pictures, which has nothing to do with the regional or picturesque, is much more evident to us now. Even in his stalwart houses presenting themselves silently against blue sky, there's that mood of isolation so unnerving that it was a simple matter for Alfred Hitchcock to put it to his own uses in Psycho, in which an outline evoking every Hopper house lingers just behind the Bates Motel...