Word: hitchcocked
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...digital therapy evolves, "one of the tricks is to identify who will respond best to online treatment," notes Dr. Michael Sateia, director of sleep medicine at Dartmouth-Hitchcock Psychiatric Associates in Lebanon, N.H. "Sleep medicine is still in its childhood, and for decades we have lived in a culture where pharmacological therapies have been the mainstay. But we are beginning to change that mentality." Sateia's center, for example, recently hired a nurse practitioner to offer more affordable group therapy as an alternative to individual counseling by a psychiatrist. (Read: "On the Couch Online: Does Tele-Therapy Work...
...when Antichrist moves defiantly out of the land of Hitchcock's Psycho and into Saw territory that it lost most of its audience Sunday night. There were scenes - the woman's attack on her husband's sex organs, then her mutilation of her own - where you could hear "Oh, come on!" muttered in several languages. There's nothing wrong with a movie going crazy along with its characters, as we noted in our Thirst review two days ago, but von Trier doesn't have the craft to bring the moviegoer along in the most extreme parts of Antichrist. The thought...
...Revengers Comedies (1989) A man and woman meet on London's Albert Bridge and plot to "exchange" murders. She goes after his hated boss, then expects him to bump off her rival in love. This epic updating of Hitchcock's Strangers on a Train is hampered by its two-play length, but it is Ayckbourn at the very top of his game...
...uncompromising documentaries, hired Jarre to score Hôtel des Invalides, his study of wounded veterans; it was the first of many Jarre pieces (The Longest Day, The Train, Mad Max Beyond Thunderdome) that found a sepulchral undertone in martial music. Old masters like William Wyler (The Collector) and Alfred Hitchcock (Topaz) and Young Turks like Adrian Lyne (Fatal Attraction) and Jerry Zucker (Ghost) called on Jarre to provide music that was subtle and looming, like a shiver in the shadows...
...ndorff's The Tin Drum, George Miller's Mad Max Beyond Thunderdome, Paul Mazursky's Enemies; A Love Story and Jerry Zucker's Ghost. He could churn out military music in a minor key, like a sarcastic Sousa; that's what you hear under the espionage chicanery in Alfred Hitchcock's Topaz, ornamenting the anti-Nazi smuggling in John Frankenheimer's The Train and underlining the grand folly of two British soldiers' Afghanistan caper in John Huston's The Man Who Would Be King. At times Jarre mocked his own mocking tone, as when he connived with Zucker...