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...spear-chucking Bwana Devil or the gore-splattered Creature from the Black * Lagoon. But what really killed 3-D in the '50s -- and in subsequent revivals in the '60s, '70s and '80s -- was not so much bad movies as bad 3-D. Even classics like Kiss Me Kate and Hitchcock's Dial M for Murder have effects that when seen in 3-D, tend to pull the eyeballs in directions that nature never intended. Successful 3-D movies require that two stereoscopic images be kept scrupulously aligned and in focus, and this technological challenge has virtually overwhelmed a generation...

Author: /time Magazine | Title: Technology: Grab Your Goggles, 3-D Is Back! | 4/16/1990 | See Source »

...actor is a hit, and Driving Miss Daisy, which received nine Oscar nominations, more than any other picture released in 1989, has given her a megadose of Hollywood penicillin. Although she has played character parts in several outstanding films over the years, The Desert Fox and Alfred Hitchcock's The Birds among them, until now she has never had the recognition in Hollywood that the theater world has accorded her for more than 40 years. Movie producers all but ignored her extraordinary range and talent...

Author: /time Magazine | Title: HUME CRONYN and JESSICA TANDY: Two Lives, One Ambition | 4/2/1990 | See Source »

Like one of those ominously quiet sequences in a Hitchcock film, Beattie's low-key style tends to create the tension of expectation. For example: "Corky pushed the door open and turned and looked at Wayne, sitting on the step, holding a Schlitz. It was the last drink he would have before his life changed." But all that happens is that Wayne gets arrested on a false charge of possessing cocaine. We never do find out what became of him except, in an epilogue, that he is now living in Mexico City...

Author: /time Magazine | Title: Books: Beattieland | 1/22/1990 | See Source »

...fruit. The terrorist who telephoned the U.S. embassy in Santiago on March 2 seemed to understand that, as Alfred Hitchcock showed in The Birds, the most deep-seated fears are engendered when the benign suddenly turns menacing. The saboteur had no explosives to rig, no bomb-sniffing dogs to elude, no metal detector to foil -- only some fruit and a little poison. And that was more than enough. Just two little grapes were found to have been injected with cyanide -- not enough, it turns out, to give a toddler a stomachache -- and the country was thrown into a panic...

Author: /time Magazine | Title: Do You Dare To Eat A Peach? | 3/27/1989 | See Source »

...dialogue on which the movies (and so the rest of us) still feed -- all of them seem to have been copyrighted by the onetime oil executive who only began writing at the age of 45. In seven novels and in the screenplays he wrote for Billy Wilder and Alfred Hitchcock, Chandler scripted much of the unshaven poetry and arsenic idealism that form us now, and haunt us still, in Mickey Spillane beer ads and smoky urban videos, from Jack Nicholson's Chinatown to Joan Didion's Malibu...

Author: /time Magazine | Title: Essay: Private Eye, Public Conscience | 12/12/1988 | See Source »

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