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...revenues, cable networks are competing aggressively for programming. ESPN, for example, has picked up a package of Sunday-night NFL games that are bringing record high ratings for the sports network. Cable may also bid for the rights to part of the 1992 Olympics. Canceled network shows like Alfred Hitchcock Presents and The Days and Nights of Molly Dodd have been picked up by cable, which is developing its own movies and series as well. Although each channel takes only a sliver of the viewing pie, collectively they hurt. Says NBC Entertainment president Brandon Tartikoff: "We're being nibbled...

Author: /time Magazine | Title: Video: The Big Boys' Blues | 10/17/1988 | See Source »

There are several ways to go with that situation. An old-time Hollywood screenwriting team might have used it for romantic comedy; there is a "cute meet" lurking in it. Hitchcock might have found in it the premise for suspense; it blends the quotidian and the voyeuristic in a way he would have liked. The young Woody Allen might even have made a farce...

Author: /time Magazine | Title: Cinema: Other Voices, Other Rooms | 10/17/1988 | See Source »

Antonia R. Estrada '89 said, "I thought it was like a Hitchcock film--a little melodramatic but generally interesting...

Author: By Melanie R. Williams, | Title: Films that Flouted Franco | 9/30/1988 | See Source »

Each man films the thing he loathes. That seems the rule, anyway, for directors who investigate the darker locales in cinema's emotional landscape. Alfred Hitchcock, Luis Bunuel, Federico Fellini found artistry in images that terrified or disgusted them. Their bad dreams became their best movies...

Author: /time Magazine | Title: Cinema: A Terminal Case of Brotherly Love DEAD RINGERS | 9/26/1988 | See Source »

...trends and industrial eruptions. Some periods are re-created with elaborate props: a looming female robot from Fritz Lang's Metropolis, a railway car stocked with projector and films to recall the propaganda push of early Soviet cinema, a Salvador Dali collage with the probing eyes he designed for Hitchcock's Spellbound, and a couch inspired by Mae West's lips. Elsewhere, actors stroll about in character to fill in the historical blanks. In a room labeled "Cinema Goes to War," for example, "soldiers" roll about in trenches. Nearby is a majestic staircase canopied by MOMI's own high-camp...

Author: /time Magazine | Title: Show Business: Twin Shrines to the Silver Screen | 9/26/1988 | See Source »

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