Word: hitchcocked
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...opposites. His all-American-boy bafflement suggests a Gary Cooper stripped of moral authority and ill at ease in a grown-up dilemma. Her intimidating energy recalls the young Katharine Hepburn but with a voracious libido. And behind them both stands another more portly silhouette: the ghost of Alfred Hitchcock. Dan is the basic Hitchcock protagonist, a fairly decent man in a horribly compromised position. And at first glance, Alex, with her cool allure, seems an avatar of Hitchcock's blond ice goddesses. Only later do we discover she is as lonely and lethal as Mother Bates. But with...
...thought Rope was just a classic Alfred Hitchcock movie think again, because it saw its first performance on the London stage in 1929. Now it has been revived by Quincy House Theatricals under Oded Salomy's direction...
...distracted by Camelot dazzle, Bond gave the traditional action hero modern attitudes and equipment. He brought a killer's lightning instincts to Sherlock Holmes, a suave caress to crude Mike Hammer, the microchip age to Dick Tracy's gadgets. His films were comic strips with grown-up cynicism, Hitchcock thrillers without the artistic risks. He was an existential hired gun with an aristocrat's tastes -- just right for a time when class was a matter of brand names and insouciant gestures. "My dear girl," Bond tells a new conquest, "there are some things that just aren't done. Such...
...hardly in it. To flesh out Mamet's bare-bones script, Steel and her boss Ned Tanen wanted De Palma. "In the past," she says, "Brian hasn't chosen the material that was worthy of him and that he was worthy of. He was making homages to Alfred Hitchcock. This one is a homage to Brian De Palma -- he felt it instead of directing it. With this picture he became a mensch." It surely marked a ! change from the snazzy, derivative thrillers (Carrie, Body Double) and dope operas (Scarface) that made him notorious. The new picture would be neither parody...
...opened an envelope with Porter's name on it and found songs by him I didn't even know had existed." Further burrowing yielded the Holy Grail of show-tune scholarship: more than 175 unpublished Kern songs. "In sheer numbers and quality it's extraordinary," says H. Wiley Hitchcock, a Brooklyn College musicologist. "It's like finding Leonardo's original sketchbooks...