Word: hitchcocks
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Dates: during 1970-1979
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Times must be hard for the enemies of capitalist decadence; Russia's Literaturnaya Gazeta has laid down a heavy ideological barrage against Film Director Alfred Hitchcock, accusing him of "antihumanistic attitude toward art" and "psychological sadism." But as so often happens, a Communist putdown is a bourgeois blurb. "Millions of his spectators," says the Gazeta, "take Hitchcock's sinister feelings seriously and sigh with relief when the dark in the movie house is dispelled and the lights come on again...
...process is at its best in giving the illusion of depth to a composition. One recalls that several more serious films (Hitchcock's Dial M for Murder was one) were made in 3-D but released flat when studios discovered that the craze was dying down after audience complaints of headaches from imperfect projection. These days the process is used only for an occasional exploitation item like The Stewardesses. Too bad. Besides supplying some nostalgic shudders, House of Wax fleetingly suggests that in the right hands, 3-D could have been a good deal more than a stunt...
...witches. But the scene is visually uninspired and mechanically clumsy. Faces and images swirl up out of the hags' cauldron, spin about, dissolve, disappear, as if in some hybrid of hallucinogenic nightmare and the kind of antique special effects that looked awkward over 25 years ago in Hitchcock's Spellbound...
Northwest Airlines Flight 305 began as the most prosaic of milk runs. It started in Washington, D.C., at 8:30 a.m. last Wednesday, with scheduled stops at Minneapolis, Great Falls and Missoula, Mont., Portland, Spokane and finally Seattle. What happened en route rivaled Alfred Hitchcock's more baroque fantasies. In the most elaborate skyjacking ploy in the bizarre history of air piracy, an inconspicuous middle-aged traveler identified on the manifest as "D.B. Cooper" extorted $200,000 from the airline, and apparently foiled any plan of capture by parachuting to safety over southwest Washington State...
...have any future, these are the people who must make up its constituency. Religion, as Marx pointed out, is the cry of the oppressed creature. But it need not be a cry of powerlessness. Jesus' message was for the poor, and it was a call to strength. Hitchcock has correctly perceived the elitism which has characterized much of the activity and belief of the Catholic Left. This criticism, however, is not the type which will kill radicalism in the Church. In fact, an era of real Catholic radicalism may be just beginning...