Word: hitchcocks
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...Harvard never managed to mount a consistent pressure on offense, but a couple of stellar plays put some fear in the hearts of the Wildcats faithful and some hope in the hearts of the Crimson fans—who together totaled 2061 in attendance. Two minutes before Hitchcock scored, Harvard freshman Jenny Brine beat a couple of UNH defenders with a mix of touch and strength, and even deked the Wildcats’ goalie, Melissa Bourdon. But after Brine had faked out Bourdon and had an open net beside the outstretched leg of the goalie, she could not quite lift...
Polanski’s guest appearance as a cut-rate thug who slashes Nicholson’s nose shows how far away this film is from the comparative civility of Hitchcock territory...
...team that boasts the highest-flying offense in the land—averaging 4.89 goals per contest—and has not lost since November. New Hampshire’s fearsome top line features the third, fourth, and seventh-leading per game scorers in the nation in Jennifer Hitchcock, Sadie Wright-Ward, and Sam Faber, respectively. These explosive talents also catapult the Wildcats’ top-ranked power play, which converts at an amazing 30.1 percent clip. Harvard will be well served to stay out of the penalty box, and when it is whistled, will rely on the speed...
Diagnosed with acute melancholia and a guilt complex, detective John Ferguson, in Alfred Hitchcock's film Vertigo, is advised by his girlfriend to turn to the restorative power of music. "Mozart. Wolfgang Amadeus," says Madge. "I had a long talk with a lady in musical therapy, Johnnie, and she says Mozart is the boy for you. A broom that sweeps the cobwebs away." In its 50th year, Opera Australia is hoping Mozart will be the boy for it. While its prognosis is better than Johnnie's, the country's flagship company has been gathering a few cobwebs lately. Since...
...into Limmeridge House and through all its haunted rooms, that mimics a dozen mid-19th century paintings while curling and circling in the glamorously kinetic style of film directors Max Ophuls and Miklos Jancso. Dudley worked similar magic on the London productions of The Coast of Utopia and Hitchcock Blonde, but never on so ambitious a scale or to such vertiginous effect. Gimmick, or foretaste off theater's future? Either way, it kept me enthralled. The Woman in White is not a great musical, but it's a sensational movie...