Word: hitchcocks
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...someone's mysterious disappearance and trying to unravel a conspiracy that may threaten his life. That picture - with a gallery of unreliable characters weaving a web of lies around the baffled hero, who must discover the perpetrator by searching for clues in hidden notes - has been widely compared to Hitchcock and film noir; but it might also be Scorsese's tribute to Polanski. (See the top 10 movies...
...earlier stages of his career, Bogdanovich served as a film critic for “Esquire,” and also profiled and orchestrated tributes to some of Hollywood’s finest directors, including Alfred Hitchcock and Orson Welles, as a worker in the Film Department of the Museum of Modern Art. Making his directorial debut in 1968 with “Targets,” Bogdanovich quickly established himself as one of the industry’s brightest new talents. A string of tremendously successful films in the early 1970s, including “The Last Picture Show...
...Claude Chabrol - were writing for Cahiers du Cinéma, which Rohmer edited from 1956 to 1963. No film magazine was so influential as Cahiers in those years. The young firebrands excoriated the prevailing French cinema and championed Hollywood directors like Howard Hawks, Samuel Fuller, George Cukor and Alfred Hitchcock. (Rohmer and Chabrol co-authored one of the earliest Hitchcock monographs.) Soon, their revolution in criticism spread to the screen. Godard made Breathless, Truffaut The 400 Blows. Their Nouvelle Vague (New Wave) was cresting; its influence would land on many shores. (See the 100 best movies of all time...
...doomsday episode–the death of a character seemed inevitable. Instead, Don (really, Weiner, who co-wrote and directed the episode) embraced the notion that the only viable way to dig oneself out of seeming disaster is to innovate and march forward. In a turn of events that Hitchcock himself could have imagined, Draper manages to release himself from the fetters on pre-’60s corporate conventions, venturing out into uncharted territories–helming an independent company and living what is sure to be a rollicking life as a single man in the age of free...
...have been scrupulously converted into the world of the play, complete with a 1930s-style bar and a live band that starts the show. The light is dim and the music loud—the better to suggest that one has just walked right through the screen into a Hitchcock thriller. Audience members—or, more accurately, participants—are given white full-face masks as they are called out of the bar area, and then separated from their groups into various areas of the transformed school...