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Skillfully directed by Robert Schwentke, “Flightplan” is most memorable for its lovely, long shots and overall elegant framings that recall the sort of compositions Hitchcock often favored...

Author: By Aleksandra S. Stankovic, CONTRIBUTING WRITER | Title: MOVIE REVIEW | 9/30/2005 | See Source »

Levenson, 95, has no time to worry. He is busy with his current project, a three-panel portrayal of the Civil War at the Dartmouth-Hitchcock Hospital in Lebanon, N.H., where since 1990 he has painted 17 historical murals. (Among his other subjects: the Shaker sect, Native Americans and a New England fair.) He is also writing a book on the history of drawing, teaching female inmates at a Vermont state prison how to make a landscape mural and starting sketches for a portrait commission. Oh, and this fall he's off on a Fulbright fellowship to Colombia...

Author: /time Magazine | Title: The Art of His Life | 9/6/2005 | See Source »

From his home in nearby White River Junction, Vt., Levenson drives to Dartmouth-Hitchcock in his 1988 stick-shift Chevrolet Nova. He does all his murals--for which he charges only the cost of materials--in the oncology section because his mother and the first of his three wives died of cancer. "The patients' conversations feed me--they keep me alert," says Levenson, who places an empty chair next to his easel to invite kibitzing while he works...

Author: /time Magazine | Title: The Art of His Life | 9/6/2005 | See Source »

...Levenson retired to Vermont. As a hobby, he began sketching scenes of concerts at nearby Dartmouth College. An art professor saw his work and offered him a show. He was also volunteering at Dartmouth-Hitchcock's cancer center doing advertising and layout when, in 1990, he noticed spacious, empty walls in the oncology department and made his move...

Author: /time Magazine | Title: The Art of His Life | 9/6/2005 | See Source »

...what might have been.” We, however, are treated to a demonstration of the dream deferred when director Iain Softley throws us a bone in the final chapter of the film and brings us to the edge of our seats. He’s no Hitchcock, but this last third or so leaves us with a fast pulse and an uneasy mind to take home—which is all we can really ask of the horror genre...

Author: By Margaret M. Rossman, CRIMSON STAFF WRITER | Title: ‘Key’ Fails to Lock Audience | 8/12/2005 | See Source »

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