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...Alfred Hitchcock, actors were cattle. To Lucas, actors are pixels--visual elements whose performances can be refined in computerized postproduction. For a certain scene, Lucas liked Take 4 of one actor, Take 6 of the other; he patched the two together and digitally fixed the middle. "Most directors wouldn't manipulate the scenes as much as we've done," says film editor Paul Martin Smith. "If we don't like how it looks, we change...

Author: /time Magazine | Title: Cinema: Ready, Set, Glow! | 4/26/1999 | See Source »

Last showing of Alfred Hitchcock's "Psycho" in 35 mm the Brattle Theater, 40 Brattle...

Author: NO WRITER ATTRIBUTED | Title: THURSDAY FEB 25 | 2/25/1999 | See Source »

Decades ago, Alfred Hitchcock said actors were cattle. Today celebrities are meat: junk food for tabloid headlines, canapes for cocktail-party surmise, fodder for Leno and Letterman raillery. Are the charges, whispers and gags true? Hardly matters; they need only be entertaining. Star tattle proceeds from two American impulses: cynicism and sentimentality. Sentimentally we imagine that a popular artist must have hidden depths. Cynically we suspect that every star must have a guilty secret; all that power, money and spare time allow them to act out any sick whim. Gossip has become the purest form of show biz, a story...

Author: /time Magazine | Title: Cinema: Tom Terrific | 12/21/1998 | See Source »

Remember the big masturbation scene in Alfred Hitchcock's Psycho? The shot of a George Jones-Tammy Wynette record? The visions of a naked woman and a sheep during one of the murders? The spider crawling out of Mother Bates' mummified mouth? All these are in Gus Van Sant's new version of the 1960 horror classic--which suggests he hasn't been quite so slavish as expected...

Author: /time Magazine | Title: Cinema: Psycho Therapy | 12/14/1998 | See Source »

When Psycho first appeared, it was a shock. At first the picture seemed like a familiar Hitchcock melodrama of guilty escape: a woman, on the run with stolen money, stops for the night in a tatty motel, chats with the eccentric owner, takes a shower. And then, 44 minutes in, the movie goes a little mad. Exit leading lady, in a whirlpool of blood. New characters appear, are slaughtered or imperiled. What the hell is going on here? Audiences knew (it was one of Hitchcock's most profitable films), but the critics were annoyed, dismissive. It took a while...

Author: /time Magazine | Title: Cinema: Psycho Therapy | 12/14/1998 | See Source »

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