Word: hitchcocks
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...gave Gus Van Sant the bloody right to remake Psycho? That's the question outraged cinephiles have been asking since the risk-loving director of Good Will Hunting said he would "re-create" Alfred Hitchcock's horror classic, using the original script updated with color camera work and hip young actors. But according to Van Sant, the master of suspense himself--or at least his spirit--seems to favor the project. "We had some ghostly messages before we started," Van Sant says, describing an impromptu seance with Hitchcock at a Los Angeles restaurant. "We just happened to be with...
...Martha Stewart gothic than Herman Munster Victorian, now accepts the Discover card. In one hardware-store scene a Gulf War poster hangs on a wall not far from a sign advertising knife-sharpening services. Grazer asked that the film be "scarier and sexier." While some nudity and language that Hitchcock ditched due to the censorship restrictions of his day were restored, Van Sant has struggled to resist sheer exploitation. "I never thought this was a film that needed beefing up," he says. "The subtleties are its strengths...
...shower sequence. In the black-and-white version, Hitchcock used chocolate syrup as fake blood; this time around, the porcelain is drenched with gallons of dark-cherry goo. "It was fun but tedious," laughs Heche, who refused a body double. "I mean, three days of going in the shower, drying off, then going back in. It was dry, wet, dry, wet, wet, wet, dry. 'O.K., scream...
...soon to tell if cinema traditionalists will snap as well. Perhaps they'll find some solace in the nod to the usual cameo appearance that Hitchcock made in his films. But perhaps not. This time, thanks to the wonders of movie magic, he's glimpsed chatting with Van Sant...
...what about that dress? Does the long-sleeved, belted, blue shirtwaist from the Gap still matter? Or is it like all those McGuffins in Hitchcock movies, just another evidentiary dead end stuck into the script to fool us for a while...