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...head wounds. She turned to the police and told them the two men had been shot. Clayton put her hands in her pockets. "I was a nervous wreck," she says. "I felt like I was being watched. The fog was rolling in. It was eerie. Like an Alfred Hitchcock movie." She turned to a co-worker and said, "We're in a crime scene...

Author: /time Magazine | Title: FRANKLIN, N.J.: DELIVERED TO THEIR DEATHS | 5/5/1997 | See Source »

...Monday, the small town of Franklin, New Jersey (pop. 5,000), had become an Alfred Hitchcock crime scene, with two suspects arrested for murders so pointless that their inexplicability was virtually a cinematic device. The vacuum absorbed the attention not only of Sussex County's stunned residents but also of big-city papers and network television. thrill killer, screamed the tabloid New York Daily News over one suspect's photo. victims lured to a remote spot and slain, echoed a rare top-item crime story in the august New York Times...

Author: /time Magazine | Title: FRANKLIN, N.J.: DELIVERED TO THEIR DEATHS | 5/5/1997 | See Source »

...interview, Forman wondered aloud about the audience's reception of "Larry Flynt." And what are Forman's own feelings toward Larry Flynt the man? "I did not expect to like Larry Flynt," said Forman, "but I could not help but find him very charming. But, as Alfred Hitchcock said, 'the villain has to be charming. Otherwise, he is not interesting...

Author: By Rusty C. Silverstein, | Title: Forman Feels Free to Flaunt Freedom | 2/13/1997 | See Source »

...Pekka Salonen and the Los Angeles Philharmonic Bernard Herrmann: the Film Scores (Sony Classical). Remember the shower in Psycho? Hitchcock may have been the director, but it was the gruff, bluff composer Herrmann who brought the scene to vivid, shrieking life. Salonen eloquently states the case for this and seven more of Herrmann's best scores...

Author: /time Magazine | Title: MUSIC: THE BEST MUSIC OF 1996 | 12/23/1996 | See Source »

...listening classes, however, there is far less room for any discussion of a definitive right and wrong. In fact, it seems that because we will never know precisely what a Dickens or a Tennyson, a Mozart or a Michelangelo, a Hitchcock or an Ellington intended to convey, there is a certain humility inherent to the study of their arts. A premium is placed on digesting as much as possible in the way of opinion and suggestion; yours are as good as mine, and mine no better than hers...

Author: By Gil Seinfeld, | Title: The `Hunter-Gatherer' Theory of Classes | 11/25/1996 | See Source »

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