Word: hitlers
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Dates: during 1960-1969
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Frantz has lived in an attic for thirteen years--fooling himself into believing that Germany is being destroyed, throwing empty oyster shells at a picture of Hitler, and making tape recordings for the "crabs" who will judge mankind in the thirtieth century. He sees no one, and refuses an interview with his father, whom he associates with the family's Nazi background. Even time is kept out of his attic world. The only one who can see him is Leni, his sister, who brings him his meals and loves him incestuously. To keep Frantz for herself, Leni refuses to tell...
...Soup. Keitel's stiff, drill-field prose comes alive only during his account of the War's last month. As the Russians swarmed across the Oder to ward Berlin and Hitler took sullenly to his bunker, Keitel and his faithful driver took off on a quixotic swing to rally the shattered Wehrmacht forces around the capital. He relished the experience: hasty lunches of pea soup in a forest command post, ducking into ditches to avoid strafing Allied fighters, brave speeches to the scared kids and old men in ill-fitting Volkssturm helmets who had been left to defend...
Then came Hitler's suicide in the Berlin bunker. Keitel was baffled. He had followed Hitler's every order in the naive belief that the Führer would accept responsibility for his actions. While more cynical generals like Gotthard Heinrici, commander of the Vistula Army Group, beat a retreat toward the American lines, Keitel went back to Berlin to sign the surrender document that he had never believed would be written. All around him the other evil men of Nazidom were taking the easy way out: Hitler was followed in suicide by Himmler, Goebbels and Goring...
...Shortcomings. Keitel considered it himself but decided against it. "The armed forces," he wrote in his Nürnberg cell, "would have labeled me a deserter and a coward. Hitler himself chose death rather than accept responsibility. For him to have committed suicide when he knew he was defeated . . . for him to have left it to a subordinate to account for his auto cratic and arbitrary actions, these two shortcomings will remain forever incomprehensible to me. They are my final disillusion...
...tradition in fine printing and book design, has made valuable contributions to jacket art, but recent jackets are increasingly American in style. Postwar jackets up to 1950 reveal Germany's sense of guilt for the Third Reich. Trying to forget the implications of the Gothic type-faces ordered by Hitler, German artists turned to whimsical designs with floral patterns and bright pastels...