Search Details

Word: hitlers (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Youth League offer the only alternative to imperialist decay and fascism. So when the KKK wanted to "celebrate" the Greensboro massacre in the labor/Black town of Detroit it was the SL and 500 predominantly Black workers who demonstrated and stopped the Klan. And when the Nazis threatened to celebrate Hitler's birthday on April 19 in San Francisco, over 1,200 trade unionists, Blacks, Chicanos, Jews, gays and socialists supported the SL's call for a mass labor-centered mobilization and actually stopped the fascists' "birthday party." The Blacks whose relatives have been lynched and the Jews who have...

Author: NO WRITER ATTRIBUTED | Title: Get the Klan | 9/27/1980 | See Source »

...chance to "show the world that [they] could fight as well as talk," and the counterattacks began. The overextended German army collapsed. In November the Kaiser resigned, and a scrappy little corporal, twice decorated for gallantry, flung himself on his hospital cot and wept. On the spot, Adolf Hitler swore he would devote his life to avenging his betrayed country...

Author: /time Magazine | Title: Books: Memento Mori | 9/22/1980 | See Source »

...essayist, Joan Didion. When Didion undertakes a character profile -- her piece on James Pike, the Episcopalian Bishop of California, for example -- she doesn't begin with the subject, his family, philosophy, or even a recitation of his favorite food (as did Janet Flanner in a 1936 profile of Adolph Hitler). Rather, Didion begins the piece with a word about her own recollection of Pike's church, and then characteristically proceeds to lace the narrative with what she calls elsewhere, "always, transparently, shamelessly, the implacable 'I.'" "The greatest study of Mann is Mann" wrote Janet Flanner in a profile...

Author: By Fred Setterberg, | Title: DITCH DIGGERS | 9/18/1980 | See Source »

...tries to twist a number of other cliches of the was movie but it starts with a basic formula: a tough, leathery sergeant (Lee Marvin) who survived The First War returns to Europe leading a pack of good but green recruits against Hitler's huns. Mark Hamill is the soft-spoken hero with a streak of cowardice. Bobby DiCicco is the eyetalian who wants to open a bagel shop when he gets home. Kelly Ward is the quiet cartoonist who draws pictures when he's not drawing fire. And Robert Carradine is Sam Fuller, a scruffy, fast-talking writer from...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

...sequence in the concentration camp occurs on a bright, unclouded day, a detail that clashes with a common notion associating Hitler's victims with overcast skies. Fuller's vision is probably truer. He never shies away from color, and enjoys cutting from a crisp shot of blue sky and gold sand to the dull greys and greens of the infantryman's daily existence. Yet the colors never disappear; when there are no more flowers or there is no more blood, Fuller closes in on Lee Marvin's face, a rough-hewn palette of balanched hair, amber skin and watery eyes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/15/1980 | See Source »

Previous | 468 | 469 | 470 | 471 | 472 | 473 | 474 | 475 | 476 | 477 | 478 | 479 | 480 | 481 | 482 | 483 | 484 | 485 | 486 | 487 | 488 | Next