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...tries to twist a number of other cliches of the was movie but it starts with a basic formula: a tough, leathery sergeant (Lee Marvin) who survived The First War returns to Europe leading a pack of good but green recruits against Hitler's huns. Mark Hamill is the soft-spoken hero with a streak of cowardice. Bobby DiCicco is the eyetalian who wants to open a bagel shop when he gets home. Kelly Ward is the quiet cartoonist who draws pictures when he's not drawing fire. And Robert Carradine is Sam Fuller, a scruffy, fast-talking writer from...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...sequence in the concentration camp occurs on a bright, unclouded day, a detail that clashes with a common notion associating Hitler's victims with overcast skies. Fuller's vision is probably truer. He never shies away from color, and enjoys cutting from a crisp shot of blue sky and gold sand to the dull greys and greens of the infantryman's daily existence. Yet the colors never disappear; when there are no more flowers or there is no more blood, Fuller closes in on Lee Marvin's face, a rough-hewn palette of balanched hair, amber skin and watery eyes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/10/1980 | See Source »

...tries to twist a number of other cliches of the was movie but it starts with a basic formula: a tough, leathery sergeant (Lee Marvin) who survived The First War returns to Europe leading a pack of good but green recruits against Hitler's huns. Mark Hamill is the soft-spoken hero with a streak of cowardice. Bobby DiCicco is the eyetalian who wants to open a bagel shop when he gets home. Kelly Ward is the quiet cartoonist who draws pictures when he's not drawing fire. And Robert Carradine is Sam Fuller, a scruffy, fast-talking writer from...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/8/1980 | See Source »

...sequence in the concentration camp occurs on a bright, unclouded day, a detail that clashes with a common notion associating Hitler's victims with overcast skies. Fuller's vision is probably truer. He never shies away from color, and enjoys cutting from a crisp shot of blue sky and gold sand to the dull greys and greens of the infantryman's daily existence. Yet the colors never disappear; when there are no more flowers or there is no more blood, Fuller closes in on Lee Marvin's face, a rough-hewn palette of balanched hair, amber skin and watery eyes...

Author: By David Frankel, | Title: The Fine Art of Survival | 9/8/1980 | See Source »

...Marine Corps runs, does not walk, through his veins. He is tough on his men, his family, himself. Everyone's back hairs stand at attention when Bull Meechum marches into the room. Once, in that great good war against Hitler, Bull was a genuine air ace with a heroic nom de guerre: the Great Santini. Now, in 1962, when only statesmen get to go eyeball to eyeball with the enemy, Bull finds himself out of meaningful work - orchestrating practice missions in the skies over Beaufort, S.C. He might as well be running the shooting-gallery concession at a penny...

Author: /time Magazine | Title: Cinema: Pugno Vinco | 9/1/1980 | See Source »

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