Word: hm
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...Hm...
...Hm. You're thinking, what, infiltrate the laundry, something like that...
...symbolizes to everyone, however, is freedom-his own freedom as an artist, all men's freedom to live their own lives. Beethoven's loftiest hymn to that core symbol is Fidelio, which today has a special pertinence to those European countries, as Austrian Conductor Karl Böhm puts it, "that experienced foreign occupation and domination within the recent past." Thus it was thoroughly proper that the Met's new Fidelio was entrusted largely to Europeans, Böhm included...
Vocal Heart. A thoroughly proper success it was, too. Böhm gave Beethoven's orchestral writing a brassy surface excitement that had a celebrity-filled audience cheering to the chandeliers. Save for a shaky Abscheulicher! in Act I, Soprano Leonie Rysanek as Leonore rescued her mate Florestan from Pizarro's dungeon with a heroinism that any latter-day Women's Lib leader would envy. Tenor Jon Vickers gave glorious vocal heart to Florestan's piteous degradation. Austrian Stage Director Otto Schenk clothed the production in medieval-dungeon darkness that gave way brilliantly...
Karl Böhm: Mozart's Complete Symphonies (7 disks; Vol. II, Symphonies 25-41; $31.50; Deutsche Grammophon). Sleek and occasionally lacking in subtlety, Böhm's second half of the complete Mozart symphonies (the rest are scheduled for release in May) can be bettered on individual recordings by conductors like Szell, Davis or Walter. But apart from Böhm, the only first-rank conductor to produce a marathon Mozart is Erich Leinsdorf, whose performance of the symphonies (Westminster, 1967) is badly handicapped by a brassy, unresonant recording. By contrast DGG's sound is sumptuous...