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...best film critics... Always competitive, and this time underestimating his worth. (A quick list of nine others, without overthinking it, but just going by the gut feeling of folks whose writing makes me jealous: Ferguson, Agee, Robert Warshow, Sarris, Kael, Richard T. Jameson, J. Hoberman - the best weekly film critic today, and the one who drank deepest at the Farber font - and, of the new guys, Ed Gonzalez, and honorary adoptive American, David Thomson...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...company executives and programmers from Gotham cultural institutions, the plane carried a passel of people whose job it is to evaluate films, and for whom Cannes is both the start of the liturgical year and a two-week binge of international cinema. Among the critics on board were J. Hoberman (The Village Voice), A.O. Scott (New York Times), Lisa Schwarzbaum (Entertainment Weekly), Leah Rozen (People), Melissa Anderson (Time Out New York) and your two TIME.com correspondents, heading for our 35th Cannes fortnight. (We were teens when we first came here, practically...

Author: /time Magazine | Title: Can Cannes Still Do It? | 5/14/2008 | See Source »

...Mungiu sets his story in 1987, toward the exhausted end of the Ceausescu regime. Many freedoms were terminated during this despotic time, among them a woman's right to terminate a pregnancy. As J. Hoberman noted in The Village Voice: "Abortion was made illegal in Romania in 1966; by the time Ceausescu was overthrown 23 years later, an estimated half-million women had died as a result of botched illegal abortions. The nation's overflowing orphanages were notorious for their subhuman conditions...

Author: /time Magazine | Title: How Not to Have an Abortion | 2/1/2008 | See Source »

...Next Voice You Hear,” radio broadcasts were God’s chosen intermediary with mankind. The role of mass media in that film, and others from the period, reflected Hollywood’s growing role in American society in the 1950s, said James Hoberman, senior film critic for the Village Voice newspaper, at a seminar yesterday. Speaking to a small gathering of film aficionados at the Carpenter Center, Hoberman offered a preview of his next book, which will focus on the role of “movies as political events and political events as movies?...

Author: By Anthony J. Micallef, CONTRIBUTING WRITER | Title: Critic Tracks Media in 1950s | 3/22/2007 | See Source »

...24’ would be the most widely seen of these,” says Hoberman. “It’s one of those things that if you watch it ideologically you just can’t watch it,” he says, referring to the show’s frequently observed right-wing stance. “But it’s hard not to be charmed by it. It’s such a lunatic premise...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

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