Word: hockneyã
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Dates: during 2001-2001
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...entrance of the audience into this magical world was beautifully accentuated by set and costume designer David Hockney??€™s whimsical approach. Typically, the Met’s sensational stage effects create a realism that puts Hollywood to shame, but Hockney understood that Die Zauberflöte is not about realism, and his vision transported the packed house from the banalities of real life into a divine fantasy realm. The stage, adorned with simple painted backdrops, was awash in pastels, and the singers wore brightly colored costumes (sky blue and gold for Sarastro and his priests, green...
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