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CLEOPATRA GOES SLEDDING, by André Hodeir, illustrated by Tomi Ungerer (Grove Press; $3.95). Two wicked crocodiles try to lure a turtle into a boiling soup pot, but the turtle, aided by a mischievous monkey, wins out, and the disappointed crocodiles have to settle for mock-turtle soup...

Author: /time Magazine | Title: Television: May 31, 1968 | 5/31/1968 | See Source »

...Monk has arrived at the summit of serious recognition he deserved all along, and his name is spoken with the quiet reverence that jazz itself has come to demand. His music is discussed in composition courses at Juilliard, sophisticates find in it affinities with Webern, and French Critic Andre Hodeir hails him as the first jazzman to have "a feeling for specifically modern esthetic values." The complexity jazz has lately acquired has always been present in Monk's music, and there is hardly a jazz musician playing who is not in some way indebted to him. On his tours last...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

Utter Strangeness. The twelve-tone idiom is music's only salvation, according to Prophet Hodeir, but of all twelve-toners, perhaps only Jean Barraqué measures up to Critic Hodeir's ideal: "A world of utter strangeness." In Hodeir's view, Barraqué's Séquence for soprano and chamber orchestra is one of the "rare works in the history of music," and "the greatest piece of music written in Europe since Debussy's last period." Barraqué's unfinished La Mart de Virgile, to which he expects to devote the rest...

Author: /time Magazine | Title: Music: The Compleat Composer | 2/17/1961 | See Source »

...Hodeir's fellow critics in France find Composer Barraqué interesting but by no means a musical messiah. Barraqué himself agrees. "Contemporary music makes me sick," he says. "My last work makes me sick. It lurches...

Author: /time Magazine | Title: Music: The Compleat Composer | 2/17/1961 | See Source »

Kenny Clarke Plays André Hodeir (the Kenny Clarke Sextet; Epic). A low-keyed collection of nine arrangements of modern jazz works (Thelonius Monk's 'Round Midnight, Miles Davis' Swing Spring), plus three original compositions by French Hipster Hodeir, Europe's leading jazz critic-composer (Oblique, On a Riff, Cadenze). The emphasis here is on intricately woven ensemble playing, shot through with some fine flights of "written improvisation...

Author: /time Magazine | Title: Music: Pop Records | 1/6/1958 | See Source »

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