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...week's opening night audience showed no such alarm over the 36th International first prize winner, The Wind (see cut), by German Karl Ilofer. Among critics it was a popular award. Long regarded as one of the most profound followers of Cézanne, 60-year-old Karl Hofer was a venerated teacher at the Berlin Academy until the Nazis ousted him. Grim, uneasy and intense as his great French master, he works hard by turns in Switzerland and in a sleazy Berlin studio. Last summer he told one of his friends he thought he was "at last beginning...

Author: /time Magazine | Title: Art: 36th International | 10/24/1938 | See Source »

...Philip Hofer, curator of Printing and Graphic Arts in the College Library, from September 1; George H. Perkins, assistant professor of Architecture for three years from next September...

Author: NO WRITER ATTRIBUTED | Title: UNIVERSITY APPOINTS NEW FACULTY MEMBERS | 3/7/1938 | See Source »

...proudest parade ground, was made over into Europe's crack airport five years after the War. Fifteen minutes' taxi ride away is the heart of the German capital, swank hotels like the Kaiserhof, Adlon, Esplanade. Though still one of the most modern airports in the world Tempel-hofer's buildings last week were ready for destruction to make way for an even more colossal port. It is calculated to serve the biggest commercial planes of the century ahead, and to function as a centre of all aviation in Germany. At one end of a surfaced, oval landing...

Author: /time Magazine | Title: Transport: Model Airport | 2/28/1938 | See Source »

These are from the collections of Philip Hofer, of New York City; Mr. Charles B. Hayt, of Cambridge; Dr. Benjamin Rowland, Harvard; the University Museum, Philadelphia; and particularly the firm of Dikran Kelekian, as well as those of Kirkor Minassian, H. Kevorkian, and Parish-Watson, New York...

Author: NO WRITER ATTRIBUTED | Title: Fifty Centuries of Persian Art On Exhibition at Fogg Museum With Valuable Sculpture Pieces Dating Back to 2500 B. C. | 11/2/1937 | See Source »

...Hofer is a painter well known in America, for he was the Carnegie prize winner in 1934. An extreme pessimist, and a man deeply disturbed by the chaos of modern Europe, he fills his work with stark, dead creatures and gaunt, expressionless figures which reflect all too clearly his outlook for the future...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 12/4/1936 | See Source »

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