Word: hofmann
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...Josef Hofmann: Works by Chopin, Liszt, Mendelssohn (Victrola). A superstar born in 1876 to the grand romantic tradition. Hofmann never officially released a commercial studio recording after 1924. In May 1935, however, when he was still at peak form, Hofmann made some test recordings for Victor, now released for the first time. The sound is uneven, but the first movement of Chopin's B-Minor Sonata is a matchless example of the controlled give and take he brought to large-scale works. The Chopin-Liszt Maiden's Wish shows how delicate he could be at painting musical miniatures...
Written Paint. With hindsight, it is difficult to look at the broad, loosely brushed planes of primary color in Marin's watercolor of 1921, Red and Green and Blue-Autumn, without thinking of Philip Guston or Hans Hofmann; and Marin's Cape Split. Maine, with its fuzzy-edged, vibrating and organic shapes held together by tense flicks of line, equally suggests Gorky or the early De Kooning. Near the end of his life, Marin was almost literally writing the paint onto his canvases -his own title for a 1950 oil was The Written Sea-with an immediacy...
...enters on a middle level and is given choices: up one floor to the permanent display of 45 paintings by Hans Hofmann-a bequest to the museum from his estate-or down to the free exhibition space on areas below. The floors are broken but connected by ramps, so that viewers move slowly downward through a constantly shifting interior, accented by promontories of raw concrete that jut over the halls like ships' prows. Says Director Peter Selz: "You devise ways and means of installing an exhibit to detain people, to keep them from moving on. Here we made...
...undercut his efforts at every turn in the Peace Corps, as victims of the Machine no less than himself. His condemnation of institutions rather than men may be equivocating from a radical's point of view. But the multi-dimensionality of the officials in Cowan's account (like Erich Hofmann, the "poor schlemiel of an ex-Luftwasfe pilot" who wanted to squelch all boat-rocking at least until he secured his U.S. citizenship) underlines the truth that the tragedy of America admits of few clear villains. In like manner, Cowan understands that the shocking racism of many Peace Corps volunteers...
...decision to devote whole rooms to single artists of his choice rather than include everybody results in a perspective that he himself probably did not anticipate. In the Met's vast spaces, Adolph Gottlieb, Robert Motherwell and even Barnett Newman wither. But the works of Ad Reinhardt, Hans Hofmann and Helen Frankenthaler take on new authority. The show's most serious deficiency is in sculpture, and Geldzahler admits that, with the exception of David Smith's towering talent, his choices were geared to what would look well with the paintings...