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Word: hoked (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...finger of an unsuspecting airport Hare Krishna. Can compose haiku during his heists -- "Breaking, entering/ The dark and lonely places/ Finding a big gun" -- but can't choreograph a decent holdup. Junior is an engaging monster, a clown in his own horror show. As his nemesis, Miami detective Hoke Moseley (Fred Ward), mutters, "I'd hate to meet Senior...

Author: /time Magazine | Title: Cinema: Cocktail With Rum and Cyanide | 4/23/1990 | See Source »

...Hoke is a grizzled cop, a down-market Columbo, ill at ease in the new Miami of drug millions and Hispanic flash. Junior, who has stolen Hoke's gun, badge and false teeth, is just the sort of criminal throwback Hoke understands. But Junior's girl Susie (Jennifer Jason Leigh) is a mystery. A sweet cracker from upstate, this Princess Not-So-Bright is grateful to Junior for the minutest graces: he eats her cooking and doesn't beat her. She and the con are lost souls sharing a postcard vision of Nirvana: a cloudless beach, a dog leaping...

Author: /time Magazine | Title: Cinema: Cocktail With Rum and Cyanide | 4/23/1990 | See Source »

...blazing incongruity of an aquacade at a restaurant or a maimed thief pocketing his severed fingertips. The actors too come at their roles energetically, not condescendingly. Baldwin plays Junior with a goofy grin and the scheming intensity of a small mind spinning its wheels and getting nowhere. Ward finds Hoke's integrity down at his heels. And Leigh, a gifted chameleon who deserves stardom, can wring pathos just by reading a recipe for vinegar pie or walking up the path to a house she will never own. Handsomely made, wonderfully acted, Miami Blues is the kind of picture Hollywood ought...

Author: /time Magazine | Title: Cinema: Cocktail With Rum and Cyanide | 4/23/1990 | See Source »

...less capable hands, John Rawlins, the illiterate gravedigger who becomes a sergeant major in Glory, and Hoke Colburn, the courtly chauffeur in Miss Daisy, could have become sterile symbols of good intentions. But Freeman's performances are so finely calibrated that these characters emerge as men of true heft and substance. Says Glory director Edward Zwick: "Morgan inhabits a role rather than performs...

Author: /time Magazine | Title: Show Business: In The Driver's Seat | 1/8/1990 | See Source »

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