Word: hokusai
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Dates: during 1990-1999
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...whose image of the actor Otani Oniji III playing a samurai's manservant, all red-rimmed eyes and stylish snarl, is a deliciously succinct expression of fictive bloody-mindedness. Through the medium of prints, the range of things that could be depicted widened to take in all Japan. Katsushika Hokusai's Thirty-Six Views of Mount Fuji and Ando Hiroshige's Fifty-Three Stations of the Tokaido are both travelogues and social listings, in which every sort of occupation, from pit sawing to innkeeping, gets its allotted description. This scrutiny of lower-class life would never have held so much...
...most beautiful of his Thames nocturnes of the 1870s, depicting Old Battersea Bridge in a luminous blue twilight, appearance is sliding off into illegibility under the aegis of Japanese prints; Hokusai, one of Whistler's favorite artists, had done a similar scene of fireworks at night behind a tall wooden bridge. The real Battersea Bridge was too stumpy for Whistler, so he made it into a tall Orientalized dream, with the falling rocket fire spangling the dusk like gold flakes on Japanese maki-e enamel. If he could choose where he was born, he could certainly decide what country...