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Frederick J. Harrigan, Lisbon, N. H.; Robert D. Hill, Wilmore, Ky.; John A. Holabird, Jr., Chicago, Ill.; Quentin M. Hope, Cambridge; John W. Hursh, Duluth, Minu.; Robert A. Keller, Cleveland Heights, O.; Leif L. Kunden, Columbus, Ind.; Robert W. Komer, St, Louis, Me.; Herbert J. Komer, New York City; Joseph H. Laird, Dearborn, Mich; Murray A. Lampert, Kew Gardens, N. Y.; William Land, Mattapan...

Author: NO WRITER ATTRIBUTED | Title: Phi Beta Kappa- | 6/11/1942 | See Source »

Other laurels must go to the able dramatic directing of S. Leonard Kent, the conducting and music directing of Malcolm Holmes, and to the stage designer John Holabird, whose brilliant sets perform miracles in creating an atmosphere of gaiety. The opera itself, ideally suited to the production it gets here, and unencumbered by the artificialities that made Handel and Purcell so fussy to stage, may unhesitatingly by classed as the Society's most triumphant venture to date, something to take pleasure in now, and something to look back on in years to come when such productions may no longer...

Author: By J. A. B., | Title: PLAYGOER | 4/14/1942 | See Source »

Robert G. Axtell '43 has been elected chairman of the Lowell House Committee, retiring chairman John A. Holabird, Jr. '42 announced yesterday. Other appointments include Philip M. Foisie '44 to the permanent dance committee, Davad D. Vaughn '44 treasurer, and Donald J. Davis '44 secretary...

Author: NO WRITER ATTRIBUTED | Title: Lowell House Election | 4/13/1942 | See Source »

...woodcuts, sketches for stage sets, and photographs of sculptors' and architects' efforts. It has Gluyas Williams cartoons, and a sketch by Robert Edmond Jones of a set for Richard III, "Now is the winter of our discontent." Its paintings range from primly conservative New England garden-scenes to John Holabird's gay Mexican pot-pourri...

Author: By A. Y., | Title: COLLECTIONS & CRITIQUES | 4/7/1942 | See Source »

...three artists stand out in one's mind, against a confused background of innumerable oil and wateronlor landscapes. Among these Holabird is perhaps the most noteworthy. In his stage sets, both for Pinero's "The Magistrates" and Aristophanes' "Peace," in his savage woodcuts on the social scene in the year 1941, and in his watercolors and cartoons he demonstrates a remarkable creative imagination, a sharpened awareness and a mastery of diverse techniques...

Author: By A. Y., | Title: COLLECTIONS & CRITIQUES | 4/7/1942 | See Source »

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