Word: holbeins
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WEST GERMANY. Despite deutsche mark dominance, the Strategic Traveler can do surprisingly well. Rooms are not expensive in certain outlying areas that are themselves worth seeing and are close to major cities. An hour from Munich is Augsburg, home of the Holbein family, whose 1,000-year-old cathedral has the oldest stained glass in Germany. An easy train ride from expensive Heidelberg is Würzburg, a city of baroque architecture and prized wines. Another good base is Rüdesheim, convenient to the Rhine and the wine country. A three-hour boat ride from Rüdesheim to Koblenz costs...
...seem hopelessly remote to most readers. Irving Stein provides the best example of this in the current novel. Urged to remember his sons when bequeathing his entire art collection to Elesina, he relents with a few to kens: "Well, suppose I leave them each a painting?...To Lionel the Holbein of Mary Tudor. To Peter the Botticelli To David the big Tiepolo...
...They also show some indecision about whether there is such a thing as Swiss art, as opposed to art that happened to be created in Switzerland. The country never fostered the influential art centers that flourished in Italy and France. It did give birth to at least two masters-Holbein and Fuseli. This volume includes them but concentrates on a host of lesser-knowns who moved uneasily-and not always satisfactorily-between wider European and narrower native traditions...
ANTHONY BURGESS' latest novel is the modern literary equivalent of a grotesque medieval woodcut by Hans Holbein the Younger. In Holbein's macabre artistic world, people blithely conduct their lives as usual, while unseen the Grim Reaper, lurking in the shadows, waits to carry them off. Death is also the main character in Burgess' markedly disappointing effort: never mind that he presents Ronald Beard, an aging British screen writer, as his hero; it becomes quickly apparent Burgess' is more concerned with Death than with Beard...
...Rome: rain beading on a window, sepia-colored church steeples; Roman street life, a few statues. While pleasant enough to look at, David Robinson's prints are sacrificed to a lost cause. Beard's Roman Women will not be saved by a handful of prints, whether Robinson's or Holbein's, for it is a shallow and poorly written exercise by a novelist who can do much better...