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...Hans Holbein the elder drew sensitive linear portraits which were largely within the Medieval tradition though, at times, he too felt the pressure of Renaissance idealism. The younger Holbein, (see figure 1) representing a new generation drew the idealized figures and solid forms of the Renaissance with little nostalgia for the spirit of the Middle Ages (see his Two Lansquenets Boring an Escutcheon...

Author: By Jonathan D. Fineberg, | Title: Albretcht Durer in Boston | 4/14/1966 | See Source »

Especially appealing: William Blake's watercolors (through May 24), Houdon's perfectly balanced terra-cotta sculpture of Diana the Huntress, Bellini's St. Francis in Ecstasy, Holbein's Sir Thomas More, La Tour's Education oj the Virgin, Fragonard's series of canvases representing "The Progress of Love," commissioned and rejected by Madame Du Barry...

Author: /time Magazine | Title: Art: Art in New York: may 8, 1964 | 5/8/1964 | See Source »

...privileges in the coming term." For the second time that day Gridley smiled sardonically. He was thinking about the new tunnel he had found, the one that led to squash court 9 in Lowell House. He was still smiling when he loaded the 1516 New Testament of Erasmus with Holbein capitals into a Coop laundry bag and trudged back to his room...

Author: By Raymond A. Sokolov jr., | Title: A Day at the Library | 1/15/1963 | See Source »

...studies or for their own sake, all the drawings are strangely affecting. Leonardo's Leda-possibly a study for the painting that has been lost-has a sensual rhythm not often revealed by Leonardo. Rembrandt's landscapes and village scenes are masterful mixtures of meticulousness and freedom. Holbein could almost carve with his crayon, and Rubens, with his delicate and flowing line, could transform an act of drudgery into an act of grace. Somehow, the workings of genius are never more clear than in drawings of the quality of the collection at Chatsworth...

Author: /time Magazine | Title: Art: Grace Notes | 10/26/1962 | See Source »

...Great Forgery, by Edith Simon. The hero of this ironical novel, a scruffy old painter who forges a Holbein to show the art experts up as Philistines, is a fine, randy character who bears a strong resemblance to Joyce Gary's Gulley Jimson...

Author: /time Magazine | Title: Cinema: Nov. 24, 1961 | 11/24/1961 | See Source »

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