Word: hold
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Dates: during 2000-2009
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...singer, saxophonist, and flautist Stan Strickland. Even the stage does not constrict the choreographer’s vision; she sets an aerial number—or, as she puts it, a “movement portrait”—in the open air. Certain unifying factors, however, hold the entire show together. “There’s a very strong sense of sensuality and some sexuality throughout,” Latsky says.Within this artistic exploration, GIMP does play with its audience’s social attitudes towards disability. The exposure of disabled physicality on stage intentionally...
...have this really old Ivy League school, and they’re more active [in the scene] than any other university in Boston,” Daniel Striped Tiger’s Bogan says. “It’s just funny that every year they consistently hold what I would consider to be the best punk show in Boston for the entire year,” drummer Dan Madden adds...
...student, alum, or college guidebook will tell you, the Harvard social scene is dismal compared to other universities. Although part of this is because students generally prioritize partying less, another reason is that many organizations that want to hold big functions just don’t have the space. These groups, which serve as valuable networks during the day, are handicapped from exercising their full social potential by their impotency at night. Students are not lacking in initiative, as evidenced by the popularity of the Cambridge Adult Learning Center as a venue for club events at the beginning of this...
Director Kevin Macdonald’s “State of Play” is an above-average political thriller that features solid but unspectacular performances and an engaging plot that manages to hold our attention for two hours. It is better than mediocre but far from brilliant—and for this we may be thankful. After what feels like an endless procession of movies aimed at either a small critical circle or a mass market, “State of Play” accomplishes what few recent films have been able to do: balance the commercial appeal...
...rise with my red hair, and I eat men like air.” Sylvia Plath’s strong voice projects from a black rectangular machine resting on a table. A dozen people sit in surrounding blue chairs, listening attentively. Some hold anthologies of Sylvia Plath’s poetry and follow along with the poet’s recorded voice. Others merely listen. On Friday afternoons in the George Edward Woodberry Poetry Room in Lamont Library, visitors gather to appreciate the recordings of prominent poets as part of REEL TIME, one of the new programs recently installed under...