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Word: holden (lookup in dictionary) (lookup stats)
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...with a sigh: "You must be firm with Germans. They are raised differently from us and react better if one is absolutely rigorous. Only patience will get us what we want." When the German cast moved off the set, Preminger called for his English-speaking actors-David Niven, William Holden, Maggie McNamara and Dawn Addams-and shot the same scene with less difficulty-and less patience-in English...

Author: /time Magazine | Title: Cinema: Two-Toned Blau | 2/2/1953 | See Source »

Girls in the Night (Universal-International) are all belles of New York's squalid Lower East Side: pretty Hannah (Patricia Hardy), brassy Georgia (Joyce Holden) and "ugly" Vera (Jacqueline Greene). Spurred on by jealousy of the other two girls, Vera tries to frame them for a murder committed by her boy friend (Don Gordon). At the fadeout, the real killer has been electrocuted on high-voltage wires after a helter-skelter chase along the waterfront, and things are looking rosier for Hannah, Georgia and their boy friends...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 26, 1953 | 1/26/1953 | See Source »

...Radio Theater (Mon. 9 p.m., CBS). William Holden in Appointment with Danger...

Author: /time Magazine | Title: RADIO: Program Preview, Jan. 19, 1953 | 1/19/1953 | See Source »

...most complacent minds. Alert, young President A. Whitney Griswold, himself a big wheel activities man as an undergraduate, confessed to the CRIMSON several years ago that "Down here we need to start doing things for their own sake, not for what they will lead to." His assistant Reuben A. Holden says "The whole accent down here is group activities while at Harvard a man is left pretty much to himself, whether he wants it or not." Professor Weiss puts it most succinctly: "Harvard is centrifugal, whirling people apart, Yale centripetal, drawing them together in a mass. You run the risk...

Author: NO WRITER ATTRIBUTED | Title: Erratic Dean's Office Confuses Foes | 11/22/1952 | See Source »

...picture is poorly paced, foolishly interrupting some exciting, if stock, situations with a tiresome and totally irrelevant O'Brien, Smith, Holden triangle. There is no new angle in The Turning Point to give if the stature of the Emforcer, but had it eschewed love interest, and stuck to patient, relentless investigators, flustered, snarling gangsters, and sharp eyed, tough newspapermen, it might have been a pretty good film...

Author: By Roskry J. Schoenukrg, | Title: The Turning Point | 11/19/1952 | See Source »

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