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Word: holdings (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

University Hall he looked over his right shoulder and saw that Offer "had hold of my right biceps with two hands." When he got outside the building, Watson said, he "was propelled up against the people who were standing on the stairs...

Author: NO WRITER ATTRIBUTED | Title: Jury Determines Offner Is Guilty Appeal Fails in Case Of Assaulting Watson | 11/20/1969 | See Source »

...TRIP DOWN. We left not long after midnight Thursday. Luck was with us: we had a Volkswagen bus to get us there, and a house in Georgetown to hold us. But all was not pleasant. Outside, a cold rain fell; and inside, with ten people and luggage, we could hardly move...

Author: By Sandy Bonder, | Title: On the Far Side of the Monument | 11/20/1969 | See Source »

...approached again, the soldier proffered his hat: we pulled up close and accepted it. We fell behind again. My friend asked the soldiers, in sign language, if they wanted to smoke. They nodded enthusiastically. As we pulled up again, he climbed out the window; we had to hold his legs to keep him from falling out. He lost his Army cap to the wind-but the soldier got the joint. We jumped up and down in our seats; everybody cheered. Then we passed their truck, and we never saw them again...

Author: By Sandy Bonder, | Title: On the Far Side of the Monument | 11/20/1969 | See Source »

...demonstrators then left University Hall and rallied outside to plan further action. BSFA met separately and suggested that SDS go back into the building and hold a non-obstructive sit-in. Some BSFA members went to Holyoke Center, where they and Afro representatives met with Wiggins and other administrators...

Author: By Shirley E. Wolman, | Title: SDS Sit-In Blocks Dean; Blacks Aid May's Escape | 11/20/1969 | See Source »

...sense of violent personal action. Even the most confusing tracks are extremely dynamic, Renoir's cutting presents a rapid series of events whose emotional strength and content vary widely. Renoir cuts into close-up, shoving the character's half-dark faces into ours; he cuts away to hold them in long shot for extended scenes. But always his characters are acting, pushing, crying out, confused but vital...

Author: By Mike Prokosch, | Title: The Moviegoer Rules of the Game | 11/20/1969 | See Source »

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