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Title: “To Be or Not to Be”: Hollywood??s Answers to Hamlet’s Question

Author: By George T. Fournier and James K. Mcauley, CRIMSON STAFF WRITERS | Title: Famous People and Their Theses | 6/3/2010 | See Source »

With “Tell-All,” Palahniuk picks a subject with very little mystery left in it—Hollywood??s Golden Age and its decline. In a culture where the public is inundated with the 24-hour news cycle, paparazzi pulp, and celebrity gossip, an author is going to be hard pressed to capture an audience already exhausted with the idea of the tell-all tale, even if he is trying to lampoon...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: Palahniuk Goes for Shock, Ends Up with Shlock | 4/27/2010 | See Source »

...earlier stages of his career, Bogdanovich served as a film critic for “Esquire,” and also profiled and orchestrated tributes to some of Hollywood??s finest directors, including Alfred Hitchcock and Orson Welles, as a worker in the Film Department of the Museum of Modern Art. Making his directorial debut in 1968 with “Targets,” Bogdanovich quickly established himself as one of the industry’s brightest new talents. A string of tremendously successful films in the early 1970s, including “The Last Picture Show...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: HFA Series Honors the Films of Director Peter Bogdanovich | 2/2/2010 | See Source »

...novels, like “Mystic River” and “Gone Baby Gone,” for portraying Boston in all of its honest dreariness and stratification. But with big tax breaks and even bigger budgets on the line, it’s in Hollywood??s interest to airbrush away Boston’s flaws. If you consider though that right now, there is a Tom Cruise movie, two Ben Affleck movies, an Adam Sandler film, and a movie about Facebook starring Justin Timberlake all being filmed in Boston at the same time, it?...

Author: By Andrew F. Nunnelly | Title: It Ain’t Always Sunny in Boston: Films Lie About City | 11/6/2009 | See Source »

...really big budget studio films are dominated by anywhere between 10 to 30 names.”Unlike composers of film scores who have achieved respect and status—the first Oscar for Best Original Music Score was given in the 1930s, shortly after the advent of Hollywood??s “Talking Pictures”—video game composers still encounter skepticism about their work. Nakama, founder of the VGO and the first vice-president of the Video Game Music Club at Berklee, says that he created the club to promote video game music...

Author: By Susie Y. Kim, CONTRIBUTING WRITER | Title: Gamers Challenge Art to be Multiplayer | 3/12/2009 | See Source »

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