Word: hollywood
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Dates: during 1930-1939
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Less shouted about than Los Angeles' famed Hollywood Bowl summer concerts are the regular winter programs of Los Angeles' 20-year-old Philharmonic Orchestra. Golden Age of the Los Angeles Philharmonic was between 1919 and 1933, when the late copper tycoon William Andrews Clark Jr. lost $250,000 a year on it. When the cornucopia stopped flowing at Clark's death five years ago, a group of conservative Los Angeles socialites managed to keep his orchestra alive, but gave it less lavish rations. Proud were they of getting as permanent conductor world-famed Otto Klemperer. While...
...directors decided on a desperate blood transfusion: an injection of high-spending cultural barbarians among their own withering shirt fronts. Last week, while the starchier board members still creaked and grumbled, the Los Angeles Philharmonic announced: 1) a move from Los Angeles' solemn, downtown Philharmonic Auditorium to Hollywood's garish Pantages Cinema Theatre, 2) three new conductors: famed German exile Bruno Walter, jovial Russo-Britisher Albert Coates, glamorous platinum blond Leopold Stokowski...
...guitar and a couple of mandolins. Though purists complained it was not according to the Sanskrit, the bronze-skinned Balinese broke down and grinned, swayed like jamming jitterbugs, wailed a torch song or two, and showed that East is meeting West as fast as the flicker of an exported Hollywood movie...
...pretty amateur effort," says he, but it fired him with the idea of combining his two passions. At Cincinnati's Graduate School of Applied Religion he toyed with the idea of religious documentary films, dropped it and in 1937 went the whole way to Hollywood...
...takes the things of this world to make even a religious picture. From his father, James Friedrich inherited about $200,000. In Hollywood he got himself a job as an assistant rector, rented two rooms at Selznick International Studios and hung out a sign reading: Cathedral Films. Author Dana Burnet supplied a script with plenty of entertainment value and with preaching carefully soft-pedaled. Once Friedrich met hard-bitten James Thompson Coyle, veteran Hollywood Jack-of-all-trades, and sold him on the idea that a religious picture could make money, Cathedral Films was ready to produce The Great Commandment...