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Word: hollywood (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...know I'm seen as some kind of avant-garde fantasy," says Geldzahler. Indeed, he relishes the role. He collects art deco objects as well as modern paintings, secretly yearns to go to Hollywood. Born in 1935 in Antwerp to a family of diamond merchants, he came...

Author: /time Magazine | Title: Art: Dictator Or Fantasy? | 10/24/1969 | See Source »

...movie matinee idol of the '20s and '30s, who rose to stardom in such silent swashbucklers as Captain Swagger and The Love Pirates, married the Hungarian heartthrob Vilma Banky in one of the film colony's splashiest weddings in 1927, and in defiance of all Hollywood tradition remained married to her forever after; of a heart attack; in Beverly Hills...

Author: /time Magazine | Title: Milestones: Oct. 24, 1969 | 10/24/1969 | See Source »

...budget or small, no Hollywood film is complete these days without the "promo bit"-cross-country tours by the stars to plug the movie in the press and on TV. Lee Marvin has gone that route enough times to have pained memories: "Blah, blah, blah. Get stiff. Grab a shower. Take a plane. Blah, blah, blah. Get stiff...

Author: /time Magazine | Title: New Movies: Fool's Gold | 10/24/1969 | See Source »

...Under Capricorn rises above most previous Hitchcock largely because it deals with neurosis and obsession. The advent of these themes in Hollywood during the late forties and fifties led to masterpieces from most of America's greatest directors: Hawks's Red River. Sirk's Written on the Wind. Ford's The Searchers, most of Ray. Frank Borzage is especially illuminating. His extremely strong, even deterministic way of shooting people's actions had always outweighed the romantic and sentimental conception of personality beneath his plots. The addition of an obsession with murder to a desperate love in Moonrise...

Author: By Mike Prokosch, | Title: The Moviegoer Hitchcock's Career | 10/22/1969 | See Source »

Still, the proceedings-adapted from Peter Shaffer's opulent play-are well managed by Director Irving Lerner in a style that might be called Eisenstein modern, and devotees of the Hollywood spectacular will cherish the bravado of the two leading actors. Robert Shaw bellows and glowers in his ornate armor like a psyched-up Errol Flynn. Christopher Plummer, in cloak, loincloth, gold necklaces and flowing hair, looks like the lead singer of a particularly exotic rock group, and his attempts at a Peruvian dialect occasionally make him sound like one. His performance is unabashed camp, consisting about equally...

Author: /time Magazine | Title: Cinema: Pop and Circumstance | 10/17/1969 | See Source »

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