Word: hollywood
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Dates: during 1960-1969
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Died. Robert Taylor, 57, one of the handsomest and most durable of Hollywood's leading men; of lung cancer; in Santa Monica, Calif. Born Spangler Arlington Brugh, Taylor broke into movies in 1934 and within three years had appeared in 15 features; his fans flocked to see him in such films as Waterloo Bridge, Bataan and Quo Vadis. In later years, Taylor won critical as well as popular acclaim for such workmanlike stints as the mental patient in 1947's High Wall. As Longtime Friend Ronald Reagan said in his eulogy: "He was more than a pretty...
Meyer's stern philosophy, applied to 16 nudie films, has helped make him one of the most successful independent film makers in Hollywood. His first movie, The Immoral Mr. Teas, was made for $24,000, but when it brought in over $1,000,000 Meyer, a former industrial film cameraman, found himself on top of the bottom of the business...
...style circuit rider, familiar to any fan of Hollywood westerns, largely disappeared in the U.S. around the turn of the century as urbanization advanced. Morrow is one of his few surviving descendants in North America. In Igloolik, he began by explaining the legal system in simple terms and by introducing the other members of the court, who flew along with him. There was a court clerk and a court recorder, a crown attorney who prosecuted the cases from a few notes made by the arresting Mountie, and a legal-aid counsel who prepared a defense after similarly sketchy study...
Married. Natalie Wood, 30, one of Hollywood's more familiar faces, thrice nominated (1955, '61, '63) for an Academy Award; and Richard Gregson, 39, British film producer (The Downhill Racers, soon to be released); both for the second time; in Hollywood...
...Webb (whose influence is evident in The Moth's "Midsummer Night"and "Morning Girl," available out of context as a single). Both composers create serious and elaborate structures by joining an array of classical forms with borrowings from the sentimental popular music written for Frank Sinatra, Tony Bennett and Hollywood romances. This approach wrenches hackneyed themes and metaphors into an instantly understandable genre-a musical pop art, but with the same dignity achieved by Charles Ives when he elevated cliches from Sousa and national anthems into symphonies...