Word: hollywood
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Dates: during 1960-1969
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Died. Frank Skinner, 69, Hollywood composer, who wrote orchestrations for more than 30 films, including The Great Ziegfeld (1936), The Magnificent Obsession (1954), and Away All Boats (1956), of cancer; in Hollywood...
Died. George White, 78, theatrical producer, whose flashy, fleshy Scandals vied with Ziegfeld's Follies and Earl Carroll's Vanities as the top Broadway attraction of the 1920s and '30s; of leukemia; in Hollywood. White introduced such future stars as Kate Smith, Ray Bolger, Rudy Vallee and Eleanor Powell to the Great White Way-which he always claimed was named...
...film-makers die, and the industry busily replaces its craftsmen with product-mongers who think only of mass audience and TV sales. Contemporary social phenomena, prevented from developing in peace, are instantly exploited by a Hollywood desperate to be the first on the marketing bandwagon. Thus Hollywood supplies a hippie to the curious netherworld between San Francisco and New York--a hippie one step closer to reality than John Wayne's faceless chattering Vietcong, but already a stock figure for a director to plug into any context available...
WELL, OKAY, on one level it's a simple cashing-in on cliche; certainly Hollywood provides a hippie guaranteed to satisfy any Kansas housewife steeped in instinctive hatred of a human species more reprehensible than the red menace. But given the lasting power of the film image, we are perhaps witnessing the commercial creation of a breed of hippie at the expense of the real animal. Assuming that the hippie movement goes the way of the flappers and beatniks, we run the risk of seeing them in fifty years only as they were given us by the commercial American cinema...
NONETHELESS, the potential for new formula exists in these films. We are familiar with the story of the country innocent corrupted by the wicked city, a plot-type appearing frequently from Griffith's Way Down East through Chabrol's Les Cousins. Hollywood has begun to alter this: the conclusion of the product-mongers appears to be that innocence--at least sexual innocence--no longer exists anywhere, certainly not in the country. Hollywood is probably right: God knows they helped make it that way, and God know there's no money to be made in innocence. The three runaways in Dreifuss...