Word: hollywood
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Dates: during 1960-1969
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...HOLLYWOOD SQUARES (NBC, 9:30-10 p.m.). A nighttime version of the daytime celebrity game, with Peter Marshall hosting a guest panel made up of Raymond Burr, Edie Adams, Milton Berle, Nanette Fabray, Abby Dalton, Buddy Hackett and Morey Amsterdam. Premi...
Elizabeth Taylor? "She looks like two small boys fighting under a mink blanket," says Hollywood Designer Mr. Blackwell, 42, creator and promoter of the annual Worst-Dressed Woman Awards. Even so, Liz ranks only fourth on Blackwell's current list of sartorial sad sacks, behind Barbra Streisand ("Today's flower child gone to seed in a cabbage patch"), Julie Christie ("Daisy Mae lost in Piccadilly Circus") and Jayne Meadows ("Barnum and Bailey in a telephone booth"). Julie Andrews, Carol Channing, Ann Margret, Jane Fonda, Vanessa Redgrave and Raquel Welch are the other distinguished dowdies...
VALLEY OF THE DOLLS. Numb is the only thing viewers are likely to feel after this film version of Jacqueline Susann's bestselling novel about three semi-recognizable pill-swallowing show-biz sickies in Hollywood's nightmare valley...
...filming whatever struck their fancy. The result, often played to a soundtrack of their latest songs, was a disjointed series of daydreams, nightmares, cloudscapes, reveries and slapstick skits ending with the foursome prancing down a spiral staircase in white tie and tails in a takeoff of a 1930s Hollywood musical. "We didn't worry about the fact that we didn't know anything about making films" said Beatle Paul. "We realized years ago you don't need knowledge in this world to do anything. All you need is sense, whatever that is." Trouble was, the Beatles carried...
Hurry sundown by Otto Preminger. Bernard Shaw postulated that great playwrights by definition write great plays, and this is certainly the easiest way to defend Preminger's' Hurry Sundown, a difficult and dramatically unrewarding film. Like most of the great European directors who work in Hollywood, Preminger, takes little of America for granted, and his films are marked by a distinctly individual way of seeing the world. In his early films, Preminger's vision encompassed a sordid and neurotic small-town America of con-men and disillusioned cops, with much of the action set in greasy spoons, cars, and hotel...