Word: hollywood
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Dates: during 1970-1979
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...Disciple, depicts his relationship with Swami Prabhavananda, a Hindu monk Isherwood first befriended in 1939. To be published early next year, the memoir takes care of what Isherwood calls his "sacred side." He is now working on a book about his "profane side"-his years as a Hollywood scriptwriter. Obviously this cameraman is partial to self-portraits...
...this particular war. Yet, lest we lose our perspective in contemplating this disappointing effort, it should be remembered that the failure of an ambitious $30 million film is not a tragedy. The Viet Nam War was a tragedy. Apocalypse Now is but this decade's most extraordinary Hollywood folly...
There were no echoes of decency at the next stop, a short bus ride from Warsaw. In 1943 the outside of Treblinka was designed like a Hollywood set to assuage the arriving victims and make them easier to manage. Bewildered Jews, released from cattle cars, saw a mock railroad station, complete with buffet and flower beds. Hours later the passengers were forced to strip and take "showers." They were crammed into gas chambers so tightly that babies were often thrust in over the heads of adults. The doors were then closed and the gas jets turned on. There were...
Didion as a rule uses her self-dramatizations with an artist's instinctive discretion. She is an alert and subtle observer, with a mordant intelligence and a sense of humor with touches of Evelyn Waugh in it. She offers a lethal description of fatuous Hollywood political chatter. " 'Those who cannot remember the past are condemned to repeat it,' some one said to me at dinner not long ago, and before we had finished our fraises des bois, he had advised me as well that 'no man is an island.' " The White Album is full...
...trace of Goldwater in her, an individualistic Westerner, Didion writes witheringly of bureaucrats who would tie up the Santa Monica Freeway (an eccentric passion of the woman in the yellow Corvette) by installing the restrictive "Diamond Lane." Didion, a sometime screenwriter, gives a wonderful insider's analysis of Hollywood as "the last extant stable society." She dismisses the women's movement with some hauteur: "To those of us who remain committed mainly to the ex ploration of moral distinctions and ambiguities, the feminist analysis may have seemed a particularly narrow and cracked determinism." The article is, among other...