Word: hollywood
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
Even hidden underneath the seats in a movie theater, shaking with fear, you can see what makes Aliens out of this world. Not just a great horror flick, but a great movie, complete with characters and feeling. Rare for Hollywood...
From that meeting sprang a partnership that enriched the American musical theater with Brigadoon (1947), Paint Your Wagon (1951), Camelot (1960) and the show many credit as the genre's best, My Fair Lady (1956). Those lush romantic period pieces became big-budget Hollywood movies, usually with scripts by Lerner, and the two created another nostalgic costume epic, Gigi (1958), directly for the screen. Their style of show eventually went out of fashion. Their songs never did: Thank Heaven for Little Girls, If Ever I Would Leave You, They Call the Wind Maria, I've Grown Accustomed to Her Face...
...stands 5 ft. tall, on point. His face has the canine cantankerousness of a mutt on David Letterman's Stupid Pet Tricks. He secured TV fame playing a gnomish cab dispatcher with a heart of gunk. Not, you might say, Hollywood's idea of a leading man, unless for a Muppet remake of Rumpelstiltskin. But in today's Hollywood, where the hottest teen idol is a 64-year-old named Rodney Dangerfield, anything is possible. So why not Danny DeVito as the topliner of the highly liked summer hit Ruthless People? Or as the scene stealer in a rock video...
Mona Lisa, a lavishly praised new British film, proves you don't have to be in Hollywood to go Hollywood. It begins with a powerful perception: when a man looks at a woman, he sees the fiction he has created of her, and out of this visionary myopia, this need to fashion a Galatea or a Bride of Frankenstein, come love, lust, violence and art. Simone (Cathy Tyson), a chic London call girl, understands this impulse in men and knows how to indulge it to her profit. Well, it's a living. But to George (Bob Hoskins), assigned...
...friends, Lowe and Moore split up. Faced with this boy-loses-girl plot, Director Edward Zwick might have tried dramatizing the poignant detumescence of a love affair. It's part of the emotional nitrogen cycle: people do get over the people they have loved. But not people in Hollywood movies--at least not in movies made by directors so ruthlessly intent on imitating models they could never believe...