Word: hollywood
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Dates: during 2000-2009
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...days after the Academy Awards ceremony in Hollywood, at least a thousand people lined up at movie theaters in Tokyo's Marunouchi district to see the film for which director Yojiro Takita brought home an Oscar. Departures (Okuribito) is the comical and dramatic story of an unemployed cellist who finds work cleaning and preparing the deceased for burial. The film has already grossed more than $34 million in Japan since its September 2008 release. (The film is scheduled for limited released in the U.S. in May.) Sales of Aoki's novel, on which the film is based, have spiked, along...
...director of the 1999 film Secret (Himitsu), which was eventually reamde by French director Luc Besson. Takita beamed as he spoke upon receiving the Oscar. "This is a new 'departure' for me. And I will - we will - be back." he said. Perhaps this year is the harbinger of future Hollywood endings for the Japanese film industry...
...rights activist Harvey Milk in the biopic Milk. This was the one half-surprise in an evening of few big upsets. The oddsmakers had Penn tabbed as a slight underdog to Golden Globe winner Mickey Rourke, whose performance in The Wrestler had all the earmarks of a sentimental Hollywood comeback. (See pictures of Rourke...
...would like to be. The "is": The Dark Knight, which has earned more than a billion dollars at the worldwide box office (in the process becoming the second highest grosser in film history, after Titanic), and which represents a big-budget action picture as only Hollywood can make them. The "would like to be": the message films Milk and The Reader, which hammer home Hollywood's liberal views on gays and its unslakable fascination with the Holocaust. And the "was": Slumdog. With its skimpy budget ($14 million) and mongrel pedigree, it might seem like...
...Hollywood nativists are rankled that the top prize and headlines went to a foreign movie, the feeling may be similar on the Indian subcontinent, where Slumdog's box office take hasn't even approached that of any robust local film. As pleased as they might be about the picture's international éclat, the folks in Mumbai also realize that the first "Bollywood" production to make a major impact at the Academy was written, produced and directed by Englishmen - subjects of the old Raj. In the 1980s, Gandhi, another film about Indians and made by colonialists, took Best Picture. This...