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...this old admirer of these three ex-child stars renders a mixed verdict on their London tours. Penelope has no special reason to be, but Ricci gives it a comely sheen. Boleyn isn't the trashy, passionate soap opera it could have been. And as lovely as Hollywood's Lend-Lease program can be to attract financing for Anglo productions, I have to wonder whether a British actress or two couldn't be found to give the roles of Anne and Mary a little more delicacy, heft and craft...

Author: /time Magazine | Title: The Other Boleyn Girl: When Child Stars Grow Up | 2/29/2008 | See Source »

...Walton, Canton, OhioI never really considered it, but it's not a bad idea. I'm not going to be getting parts in the next five to 10 years-I'll be over the hill. [Laughs.] Maybe I can go into politics once I'm too ugly for Hollywood...

Author: /time Magazine | Title: 10 Questions for Natalie Portman | 2/29/2008 | See Source »

...world's cruelest regimes, one that keeps its people in miserable penury. At a time when states such as Burma are rightly condemned in the West for their abuses of human rights, it has always baffled me why there is so little protest on campuses and among Hollywood activists of Pyongyang's ruthless suppression of dissent...

Author: /time Magazine | Title: Presidential Pragmatism | 2/28/2008 | See Source »

...painting supposedly of a nude woman descending a staircase, which had no woman visible, just strange, machine-like, abstract forms. All three artists did parody paintings, mocking taste. Ray painted in a bright, cheerfully kitsch style recalling décor in the background of middle-class apartments in old Hollywood movies. Picabia painted textured abstracts that had nothing but a few primitive dots on them resembling enlarged points of light. (In 1950, the art critic for TIME said they had "all the monotony and none of the scientific interest" of astronomical photos.) And he painted gaudy, figurative scenes of absurd...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...compete with the mass media in its impact and pizazz. So they produce objects that tend to be lurid. It is as if the whole endeavor of art cannot be taken seriously unless the artists lead celebrity lifestyles, and unless their output has the packaging and sheen of Hollywood movies or expensive cars. Duchamp's circle lived for outrageous gestures, yet there was no sense of an already streamlined system for them to operate within professionally, as there is today. Or, where there was, they instinctively undermined...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

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