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...Germans are brutes; many of the oppressed are betrayers of their cause. It may be the most honest - and certainly the most exciting - movie about the secret war ever made. It also represents a comeback for Verhoeven, who left his native Holland in the mid-1980s for Hollywood, where he made big budget sci-fi movies like Starship Troopers and sexually controversial pictures like Basic Instinct, before the resounding failure of Showgirls nearly drove him out of the business. He talked to TIME's Richard Schickel about his new film and the wild ride that brought...

Author: /time Magazine | Title: Q&A with Paul Verhoeven | 4/5/2007 | See Source »

...That's not a thought movies especially like to entertain. And its not one we expect to hear from Paul Verhoeven, who was drummed out of Hollywood for committing the town's only unforgivable sin: making controversial, high profile movies whose box office performances were not worth their trouble. In such circumstances it's simple to read Black Book as a possibly desperate attempt at a comeback, a retreat to his native land and to the sort of material with which he first established his international reputation, Soldier of Orange, his 1977 resistance drama of a much more conventional kind...

Author: /time Magazine | Title: The Fog of War Resistance | 4/5/2007 | See Source »

...core audience changed from families to teen boys. The guy-kids prefer starker fare: action movies (one man against the system), science fantasy (techies save the solar system) and horror films (where young women are the naked and the dead, usually in that order). What didn't change was Hollywood's view of the sexes: that men are defined by their exploits, women by their emotions. In a movie era that found sentimentality risible, thus unprofitable, the ladies were excluded...

Author: /time Magazine | Title: The Big Picture: Why Can't a Woman ... Be a Man? | 4/5/2007 | See Source »

...What Elvis Presley did with his hips, Hutton did with her entire body. She didn't stand behind the mike; she ran amok across the stage, once torpedoing off it and landing on the drummer in the orchestra pit. (Rim shot.) Life with Hutton was just as perilous in Hollywood. She cracked three ribs getting tossed about by acrobats in the movie Incendiary Blonde. Her exuberance often injured her co-stars; she knocked out one actor, made another faint away, separated Hope's caps from his teeth. "When they work with me," she told TIME, "they gotta get insurance policies...

Author: /time Magazine | Title: When Betty Got Frank | 3/31/2007 | See Source »

...Trudy must convince Norval Jones (Eddie Bracken), the 4F loony who has loved her since childhood, to marry her while impersonating the soldier who knocked her up - whoever he was. (Trudy thinks his name might have been Ignatz Ratzkiwatzki.) Addressing all kinds of subjects that were usually taboo in Hollywood, and then flipping the bird to them, Sturges somehow got his movie past the censors, leading Agee, in his parallel nation column, to infer that the Hays Office "has been raped in its sleep...

Author: /time Magazine | Title: When Betty Got Frank | 3/31/2007 | See Source »

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