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DIED. Lester Cole, 81, prolific screenwriter (None Shall Escape, 1944; Objective, Burma!, 1945) and one of the "Hollywood Ten," writers and directors convicted of contempt of Congress and blacklisted in the 1940s after they refused to testify about Communist infiltration of the industry; in San Francisco...

Author: /time Magazine | Title: Milestones: Aug. 26, 1985 | 6/21/2005 | See Source »

...Health & Fitness In Hollywood, personal trainers are getting to be as necessary as an agent, and the body styler many stars call first is Dan Isaacson...

Author: /time Magazine | Title: Table of Contents, Dec 2 1985 | 6/21/2005 | See Source »

...sharper, neater, more carefully formed than in the past. His voice is clearer, and it is brought further up front in the recording mix. On his rock videos, he shows enough charisma to burn out the entire Brat Pack, while fueling endless idle speculation about a future in Hollywood. In a half-decade full of switchback curves and turning points, however, the starting line may have been a moment when Springsteen opened Joe Klein's luminous 1980 biography of Woody Guthrie. Nebraska, the solo album he released in 1982, has direct roots in Guthrie tunes like Pretty Boy Floyd, just...

Author: /time Magazine | Title: Music: 'Round the World, a Boss Boom | 6/21/2005 | See Source »

...expunge his or her Jewishness than Jews who were in the public eye," declares Charles E. Silberman in this examination of the past, present and potential futures of American Jews--one of the most thorough journalistic surveys of American Jewish life ever published. Actors who wound up in Hollywood got camouflage names whether they wanted them or not. While pioneer moviemakers like Harry Cohn, Samuel Goldwyn, Louis B. Mayer and Adolph Zukor retained Jewish-sounding names, they were "determined to avoid any hint of Jewishness in the films they created." Some notables avoided this identification so assiduously they seemed downright...

Author: /time Magazine | Title: Books: Success Story | 6/21/2005 | See Source »

Shepard, premier playwright and matinee idol, fits the cowpoke boots just fine, but he is too snaky and controlled to play a tortured loser. Basinger remains an in-joke of Hollywood casting directors; 46 other American actresses could have made some emotional sense out of May, or at least sent her smoldering in mystery. Stanton, with his haunted, pinched face and chirruping alibis, steals the show--or, rather, is awarded it by default. And Randy Quaid, as a gentleman caller, is a perfect audience surrogate: decent, dogged, perplexed by a family squabble that admits no strangers to its terrible embrace...

Author: /time Magazine | Title: Cinema: Desert Dust:FOOL FOR LOVE | 6/21/2005 | See Source »

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